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genre Drama
casts Connie Nielsen
A former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery
creator David Franzoni
country Malta
Runtime 2H, 35 M

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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Most of this will be done by the states but the federal government will have to include portions as well. Only $75 billion will be invested in this. Road Digs Efficient road designs for cities is essential. Just like the Boston Big Dig, many cities will seek to make their interstate highways within the city go underground and build parks above the freeway itself. This is expect to be extremely expensive as the Big Dig costed $14. 6 billion USD. However, the following projects will be under budget, and ahead of schedule (as is the trademark of the President). With reducing costs of infrastructure projects a major focus for the President, he will be visiting the sites of the new Digs: Kennedy Expressway- Chicago: One of the most crowded bottlenecks in the US, the Kennedy Expressway will be converted into an underground highway for 4 of its 10 mile journey. The parts closest to the loop up to the north will be dug underground with the top making room for parks and a new CTA line. 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This boulevard will be the source of all exits and ramps to the freeway underneath. This 6 mile project is expected to cost $8 billion. I-95- Miami downtown: This widely used road connects to the important I-395 and downtown Miami. In order to hold more space, this 3 mile stretch will be sent downwards and widened by one lane on either side. The top will hold city parks and parking garages. The cost will be $7 billion. Downtown connector and Freedom Pkwy- Atlanta: This 3. 5 mile essential route will be sent underground and have commercial space created above. Parks will be built near where the intersection is underground. This is expected to cost $7 billion. An additional $25 billion will be invested into any other city with desires for digs. However, it must be given to at least 4 cities. American Route System A new type of highway system alongside the interstate highway system will be created to handle car traffic. Based off of the Autobahn in Germany, these routes will connect cities but will not enter the city itself to prevent problems. Similar to turnpikes, these routes will have very limited exits and when near cities, they will blend into interstate highways. The American Route System will cost similar to the interstate highway system and will be entirely federally funded. The original Interstate highway costed around $426 billion but the American Route System will cost $200 billion. The roads are designed to have 2 lanes with a minimum speed of 60 miles per hour and a maximum speed of 100 mph (if the car is self driving, 135 mph). The two lanes are to be wider than three-laned interstate highways to allow smoother movement and the pavement will be soft enough to not damage the cars' tyres on the high speed journeys. At nodes (yellow on the map) the route would end and merge onto the nearest interstate highway. Green routes indicate the American Routes and often are built alongside interstate highways. In cases where they are built alongside the interstate highways, they will be adjacent to the median but will be blocked off from the rest of the road. A range of 10-40 miles per exit is expected with most exits being alongside interstate exits to save money. Map of the American Route System Atlanta to Miami via the interstate highway system takes around 10 hours. With the American Route system, it is expected to take almost 6 hours. This is done by reducing the chances of accidents with wider lanes, more runoff for stranded vehicles, less exits that can be clogged, and feeding into the more heavier used interstate highways. To prevent American Routes from being used too often, a toll of $5 will be used for every entrance. If a car leaves the highway and returns within an hour (such as for food and gas), the pass will remain valid. Special sensors will detect the pass near every exit. People can buy the pass online and it would be shipped to them within 1 day from their nearest post office. Passes will also be sold near the nodes and node cities will see many post offices with American Route passes. Every route (barring the Chicago-Salt Lake Route) is expected to take less than a day's drive allowing most travelers to have faster drives. Trains Amtrak is no where near the capacity it has and will most likely not get anymore thanks to the American route system. Amtrak will see themselves slowly lose federal funding to the bare minimum. Current routes will be maintained and upheld and current high speed routes will remain as is. Since there is no potential in any upgrades to Amtrak barring the access to transportation for rural populations, the federal government will lower funding Amtrak from the current 2 billion USD per year to 1 billion. This money will be used to upkeep current infrastructure. Eventually, cabins will be converted to cheaper variants to save operational costs and upkeep. However, a series of hyperloops are to be built with cooperation with Hyperloop One. This will cover the: $10 billion San Fransisco to Los Angeles line $15 billion Miami, Orlando, Atlanta, Nashville line $8 billion Milwaukee, Chicago, Indianapolis, Cincinnati line $6 billion Norfolk to Washington DC line A further revitalisation of the cargo transport industry will occur with upgrades on the current lines costing a total $5 billion throughout the nation. Hyperloop should help with transporting goods at rapid pace but with the immense size of the country, it cannot be all. Metros $47 billion will be invested in creating metros for cities throughout the US. However, in order to be futuristic and efficient, monorail plans and extremely green metros (modeled after the Nagpur Metro in India [M] tfw an Indian city has a better metro than the entire US). 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Situated in the middle of a residential community, the airport has truly grown out of its clothes. Midway will be redone in a unique way. As seen here, the airport has a unique square shape. The bottom shows the current international airport which will be completely upgraded strictly for domestic purposes. The left side shows a commercial airport which will be flattened and converted to an airforce base for the US Air Force (part of the defense budget). The right side is currently unused and will be converted to a commercial area where businesses and residents can lease space for their own private affairs. The top shows hangers and a large amount of flat space. This area will be host to the new international terminal (which will mostly serve North and South American flights). The total cost for Midway's revitalisation is expected to cost $1 billion USD. Boston Logan: Some say the only thing messier than Boston's street design is its airport design. Boston Logan will have a completely new terminal built on the northwest near the current hangers. The current terminals will be converted to cargo space and domestic terminals as well as receiving upgrades. All the terminals will be combined into one building allowing for better transfers. Terminal B and the current cargo hanger will be converted into a high class cargo airport which will double its capacity. The entire project is expected to cost $1. 1 billion. Philadelphia International: Despite being on a picturesque backdrop, this airport is known for overcrowding and as an airport straight from the 60s. Philadelphia international will receive $500 million to build a brand new terminal strictly for international in the current cargo area. The cargo will be pushed further west and expanded mostly near the river. Newark Liberty: Another dreadful New York airport and unfortunately the gateway to the US by many Asians, Newark suffers from intense delays and overcrowding. A brand new runway west from the easternmost will be constructed. This would mean the innovative yet extremely unclever design will have to go. The newer terminal C will be nearly doubled in size to handle nearly all of the domestic flights. The southern portion will be rebuilt to hold two massive wings. One wing will handle half domestic and half international flights whilst the other wing will be exclusively international. This project is expected to cost around $2 billion USD but many people believe it will be worth it. Fort Lauderdale- Hollywood International Airport: The second airport in the Miami area is important for most Latin American flights. With huge demand in the tip of Florida, it is essential to expand Ft Lauderdale International before it ends up as an overcrowded mess. The runway upgrade will be finished but a new international terminal will be constructed near the western undeveloped area. This state of the art facility will host all of the international traffic of this airport and will be connected to the previous terminal (updated and redesigned specifically for domestic flights) through an underground subway. This construction is estimated to cost a total of $1 billion USD. John F Kennedy International: Arguably one of the world's most famous airports, this relatively new airport has already been hit with traffic. In order to combat the growing demand, JFK will receive 1. 5 billion to connect all of their terminals and add gates. This is expected to increase capacity by 30%. State of the art facilities and designs for proper transfers to domestic flights will be important as JFK plays a major role in shuffling international passengers into the domestic process. A process similar to Qatar's Hamad International or Dubai's International Airport will be implemented for smoother international to domestic transfers. George Bush Intercontinental- Houston: An airport forever under construction, $250 million will be invested to finish the projects entirely and update facilities. Seattle-Tacoma International: An important airport for Alaskan flights as well as Japanese ones, Seattle needs more capacity. With plenty of space, Seattle will receive another Satellite terminal where the current cargo bay is. This will increase the capacity by 80% and serve as an international hub, allowing the main terminal and the south and north satellites to be used for domestic flights. A train will connect all four terminals with the international portion of the line being completely separate allowing for immigration to be done before they even board the train. The expected cost is around $2. 2 billion along with modern upgrades. Other airports will be given money as well to improve their facilities: Airport City Amount Improvement Salt Lake In'tl Salt Lake $500M expansion McCarron In'tl Las Vegas $45M updates SFI San Francisco $100M modern updates DFW Dallas $400M Connect Terminals Louis Armstrong New Orleans $450M Major updates Indianapolis In'tl Indianapolis $500M Hub goal expansion Wayne Country Detroit $300M Updates to stay afloat Other airports will receive a portion of $4 billion for modern upgrades. Shipping The ports of South Louisiana, Houston, New York, Tampa, Los Angeles, Long Beach, Savannah, Seattle, and Miami will be upgraded to become larger. Furthermore, the port of Norfolk will be expanded to nearly thrice that of its original size to promote more transatlantic trade and easy access to the capital region. The ports of Honolulu and Anchorage are to be expanded as well to encourage more shipping to those regions. The port of San Juan in Puerto Rico will be expanded to become a transshipment port for all Latin American to American ports especially with more trade with Brazil. The entire port upgrades is expected to cost $10 billion USD. A total of $340 billion is being invested into transportation. Existing Infrastructural Upgrades America's bridges, tunnels, and other infrastructure is what the president called "crumbling. " Although it is not really crumbling, it is certainly not as good as it should be. Thus, the Department of Interior and EPA will work with developers to create green solutions to traffic. This includes a large traffic flow solution by including as many diamond intersections as possible. Furthermore, trees will be planted along interstate routes. Gardens and roundabouts with parks and other monuments will be built to improve the beauty of our great nation as well as clean the air around us. A total of $170 billion will be invested in improving our current infrastructure and $65 billion on beautifying our country. Another $50 billion will be given to cities as grants in dire need of infrastructure upgrades. This includes road maintenance, street construction, power lines, and public building maintenance (only for historic buildings, however). A large portion (nearly 30%) will be focused on public transportation improvements including metro expansions and bus lines. Marketing for public transportation will not be covered, however. Water, Sewage, and Electricity Lines Internet Internet lines in the US are some of the best yet not quite the best. Since America has the best everything, our internet will have to improve. With a partnership with Google, the U. government will install fibre optics throughout the country for high speed internet. Rural areas with mediocre connection will receive regular "high speed" internet whilst current high speed lines will be replaced with fibre optics. The copper industry may take a small hit but this is part of America's greater plan to become a high tech center of the world. Many companies producing fibre optics for Google have decided to buy numerous copper company subsidiaries to hire workers there into producing fibre optic cables. This entire project is expected to cost $65 billion (Goldman Sachs estimated $140 billion for the entire country but the entire country is not being replaced with fibre optics). 5G, an incredible potential, has little to no focus in America compared to places such as Japan. In order to advance technology like we used to, companies developing 5G will receive grants and funding to build towers. The amount of money for research combined with construction grants totals $10 billion. Water pipes Flint Michigan received a large amount of news coverage for their lack of adequate water but is not alone. Almost 180 cities in the US suffer from poor water and even more are at risk. A large maintenance schedule will need to be put in place to ensure the US adequately cares for its people. $45 billion will be invested in improving or replacing pipes. Sewage pipes Sewage pipes are similar to the water pipe problem and will receive money to be fixed. However, a large amount of waste isn't properly treated to the maximum and thus infrastructure to more quickly treat water will be put in place. Around $40 billion is expected to cover sewage costs. Canals and Reservoirs Ogallala Irrigation Plan The Ogallala aquifer is the largest in the world and is essential for the growth of the great plains. However, it is not being replenished enough. $100 billion will be invested in building a canal from the great lake Superior down to connect the Mississippi river. A series of irrigation canals will go from the Mississippi to farmlands so they do not remain dependent on the Ogallala aquifer. This will reduce a large burden on the aquifer allowing it to be replenished. In order to control the amount of water being transported to the Mississippi to prevent flooding, numerous dams will be built for safety and hydropower. Superior will have to be managed. Phoenix Irrigation Plan The desert cities especially Phoenix suffers from water loss. The Gila river loses an extraordinary amount of water every year. A plan to build solar panels on sections of the river to prevent evaporation is expected to cost $10 billion for the city of Phoenix. The Aqua Fria water which is fed by Lake Pleasant is dry nearly year long. A series of solar panels covering around 80% of the river will allow it to be completely full for enough time to support agriculture and more people. The Great Mojave Plan The Mojave Desert is one of the hottest and uninhabitable lands in the world. With California struggling against drought, it is becoming more feasible to change the land. This $150 billion plan will save California and the Southwest from their own demise. A first of its kind, it will include a plethora of desalinisation plants near the coast of Ventura. The desalinised water will be pumped up to Lancaster beyond the mountain range through an intricate network of tunnels and rivers. The reservoir will be on the flat High Desert region. With many trees being planted in the regions that will directly survive off of the water produced and in turn prevent evaporation, water loss is expected to be minimal. Also, solar companies are encouraged to build solar panels above the canals to prevent water loss and gain free land. The cost is absolutely nothing for energy companies. Irrigation of the Mojave plan will see the reservoir fill up continuously. Construction for a network of man-made rivers would see the freshwater spread throughout the region for agriculture. With more water, more trees can grow. With more trees, more rainfall. With more rainfall, less desert. Eventually the High Desert will become vegetated and provide a long term solution for Los Angeles. This plan may seem outrageous at first but with California facing water shortages and the possibility of opening up a brand new region, this experimental prototype can serve to lead the US into the future of agriculture and sustainability. Furthering the efficiency of desalinasation plants is a large portion of the budget as well as converting the Santa Clara River into a upflowing river/canal. The technology made from the 17th century in constructing Versailles will be furthered so that water from the sea can finally be used to irrigate the desert above the mountains.

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Detective chinatown 3 la. Selamat menikmati drama Detective Chinatown Episode 3 Sub Indo ini merupakan Episode ke 3 dari serial 唐人街探案 / Tang Ren Jie Tan An / Detective Chinatown, di web NetNot21 kamu bisa nonton online streaming dan juga men-download secara gratis drama dan film favorit kamu. tersedia drama china, jepang, korea, thailand series barat dan lainnya. juga tersedia beberapa server dan kualitas / resolusi video yang bisa kamu pilih di antaranya 240p 360p 480p 720p HD 1080p FHD. jangan lupa like, follow dan bookmark web NetNot21 agar tidak ketinggalan update drama dan film terbaru dari seluruh dunia. Silahkan lapor di kolom komentar apabila menemukan link video yang rusak! Terimakasih. Jika video di server 1 error silahkan pilih server lain yang tersedia, jika semua server error silahkan lapor di komentar. 45 min 12 EPS ONGOING Kejahatan aneh terjadi di Thailand ketika peringkat detektif terbaik dunia mengalami perubahan. Detektif baru muncul untuk mengatasi tiga kasus sulit. Lin Mo (Roy Chiu) adalah murid detektif nomor satu di Chinatown. Yetian Haoer (Chen Zheyuan) adalah adik dari Yetian Hao. Alur cerita yang terpisah menemukan dua karakter yang terperangkap di pusat misteri yang berputar di sekitar janda korban Ivy (Janine Chang) dan penyanyi bar A Wen (Wang Zhener). Lin Mo mengejar dua kasus: Buddha Berwajah Empat dan Nama Mawar yang tidak hanya terjadi di Bangkok tetapi juga di Kaoshiung. Kasus ketiga tentang Undangan Hantu membawa cerita kembali ke Bangkok dan kemudian ke Tokyo. Penyelidik pada pekerjaan itu tidak lain adalah Yetian Haoer yang bekerja sama dengan tim lima anggota Asia yang meliputi Lu Jingjing (Cheng Xiao) dan polisi wanita pemula Sa Sha (Zhang Yishang) Judul: 唐人街探案 / Tang Ren Jie Tan An / Detective Chinatown Tanggal: Jan 1, 2020 - Jan 18, 2020 Pemain: Roy Chiu, Janine Chang, Wang Zhener, Chen Zheyuan, Cheng Xiao, Zhang Yishang, Zhang Songwen, Ancy Deng Enxi, Chen Yusi, Wang Baoqiang, Liu Haoran © 2019 by NetNot21. All Rights Reserved. Powered by NetNot21.

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user rating: 5,9 / 10 Country: Ireland writed by: Rob Hayes directed by: Oz Perkins year: 2020. Why do they look like two brothers and not a brother and sister? Even fairy tales are affected now? WTF.

Gretel & hansel movie tickets. Learn more More Like This Director: Ilya Kulikov Stars: Sergey Burunov, Roman Popov, Sofya Kashtanova Comedy | Drama 1 2 3 4 5 6 7 8 9 10 6. 3 / 10 X Hoping to change her life, Marina, a small town girl, embarks on a journey to a life coaching event. But an unexpected delay at a St. Petersburg airport sends her on a 24 hour comedic spree... See full summary » Darya Charusha Yuliya Aug, Pavel Derevyanko, Aleksandr Gudkov Action History 5. 9 / 10 A young officer, Ivan Demarin, is sent to the depths of Siberia. Here Ivan meets his first love and, together with his regiment, finds himself drawn into a conspiracy by local princes, who are hunting for Yarkand's gold. Igor Zaytsev Andrey Burkovskiy, Erkebulan Dairov, Evgeniy Dyatlov Adventure 6. 1 / 10 A group of officers of the Russian Imperial Guard prepare a revolt in December 1825, when about 3, 000 officers and soldiers refused to swear allegiance to the new tsar. Andrey Kravchuk Sergey Agafonov, Yuriy Baturin, Klim Berdinskiy Sci-Fi 5. 7 / 10 With the fall of the alien ship Julia's life changed, now three years later mankind is about to experience new encounter. Fedor Bondarchuk Oleg Badyu, Konstantin Bogomolov, Yuriy Borisov Fantasy Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up. Benh Zeitlin Yashua Mack, Devin France, Gage Naquin 6. 5 / 10 A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position. Kitty Green Julia Garner, Matthew Macfadyen, Makenzie Leigh Thriller No meteorites hit Earth, no terrorists put the world in danger, no atomic war was started, but something did go wrong. Contact between most towns on Earth has been severed. A small... See full summary » Directors: Egor Baranov, Nathalia Hencker Maksim Artamonov, Filipp Avdeev, The year 1910, before revolution in Russian Empire. The gold miner from Yekaterinburg, Nikolai Kamenev makes the profitable deal with Bulgarian manufacturer Dimitar Yvovich, with the... See full summary » Lyudmila Tomilova Valentina Sizonenko, Artem Potapov, Mariya Yasnaya 6. 7 / 10 An ill-behaved, greedy man wakes up in a 19th century village and finds he is a peasant. Klim Shipenko Milos Bikovic, Vadim Demchog, Ivan Okhlobystin Romance 5. 4 / 10 Masha, a gynaecology doctor, is so absorbed by her work that she doesn't immediately come to notice that her husband is about to leave her. Her life is shattered: Masha is overloaded at... See full summary » Anna Parmas Olga Albanova, Vitali Daushev, Anton Filipenko Mystery 5. 3 / 10 A woman seeks revenge against those who orchestrated a plane crash that killed her family. Reed Morano Blake Lively, Jude Law, Sterling K. Brown Edit Storyline A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil. Plot Summary Plot Synopsis Taglines: A grim fairy tale. See more » Motion Picture Rating ( MPAA) Rated PG-13 for disturbing images/thematic content, and brief drug material See all certifications » Details Release Date: 31 January 2020 (USA) Also Known As: Gretel & Hansel Box Office Budget: $5, 000, 000 (estimated) Opening Weekend USA: $6, 154, 007, 2 February 2020 Cumulative Worldwide Gross: $20, 576, 237 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia According to director in an interview, the title was changed because this version focuses on Gretel, who is older: "It's awfully faithful to the original story. It's got really only three principal characters: Hansel, Gretel, and the Witch. We tried to find a way to make it more of a coming of age story. I wanted Gretel to be somewhat older than Hansel, so it didn't feel like two twelve-year-olds -- rather a sixteen-year-old and an eight-year-old. There was more of a feeling like Gretel having to take Hansel around everywhere she goes, and how that can impede one's own evolution, how our attachments and the things that we love can sometimes get in the way of our growth. " See more » Quotes Hansel: Tell me the fairy tale again. Gretel: It's too scary, you'll start seeing things that aren't there. See more ».

Everyone : Talking bout Mushu Me : Mulan has a sister. Gretel and hansel movie soundtrack. Gretel & Hansel Theatrical release poster Directed by Oz Perkins Produced by Brian Kavanaugh-Jones Fred Berger Screenplay by Rob Hayes Based on Hansel and Gretel by The Brothers Grimm Starring Sophia Lillis Sam Leakey Charles Babalola Jessica De Gouw Alice Krige Music by Robin Coudert Cinematography Galo Olivares Edited by Josh Ethier Julia Wong Production company Orion Pictures Automatik Entertainment Bron Creative Distributed by United Artists Releasing Release date January 31, 2020 Running time 87 minutes Country Canada [1] [2] United States [2] Ireland [2] Language English Budget $5 million [3] Box office $20. 5 million [4] [5] Gretel & Hansel (also known as Gretel & Hansel: A Grim Fairy Tale) is a 2020 dark fantasy horror film based on the German folklore tale " Hansel and Gretel " by the Brothers Grimm. The film is directed by Oz Perkins, and produced by Fred Berger, Brian Kavanaugh-Jones, and Dan Kagan, with a screenplay by Rob Hayes. Sophia Lillis and Sam Leakey portray the title characters, alongside Charles Babalola, Jessica De Gouw, and Alice Krige. The story follows Gretel and Hansel as they enter a dark wood in order to find work and food, and then stumble upon the home of a witch. It was announced in October 2018 that Orion Pictures in Gretel & Hansel, a film adaptation based on the German folklore Hansel and Gretel by the Brothers Grimm, with Perkins directing the film from a screenplay he co-wrote with Hayes. At the same time, Lillis was set to star in the film, with other actors being added shortly after, and filming taking place between November and December 2018 in Dublin, Ireland. Gretel & Hansel was released in North America on January 31, 2020 by Orion Pictures through United Artists Releasing. The film had grossed $18 million worldwide and received mixed to positive reviews from critics, with praise for its visuals and cinematography, as well as the horror elements and acting, but criticism for the film's pacing. Plot [ edit] A baby that everyone in the village found to be the most precious falls terribly ill one winter. Her father took her to see an enchantress, who removed the illness but left a power within the girl. As she grew older, people in the village went to the girl because she had premonitions of the future. Because she knew everything ended in death, she used her power to kill people, including her father. The child was taken into the woods to be left alone, but she lured other children to a grim fate. After their father's death, teenage Gretel ( Sophia Lillis) and her younger brother Hansel (Sam Leakey) are going to meet a man about a job as a housekeeper. Gretel meets with the man, but he makes his true intentions clear when he asks Gretel if she is still a virgin. The two leave without a job. At night, the siblings' mother rebukes Gretel for not doing what she had to do to get a job and help provide for them. She tells Gretel that she and Hansel must leave because there is no room left in the house. The mother goes as far as threatening to hack Gretel to bits if they don't leave immediately. The siblings flee their home and find a hut to sleep in for the night. Suddenly, a ghoulish man arises and lets out a horrible scream and makes the kids run away. He chases them outside and attacks Hansel. Before he can get to Gretel, he is killed with an arrow to the head. A hunter ( Charles Babalola) rescues the siblings and takes them into his home for the night and directs them toward others who can provide them with food and work. The following morning, the siblings go outside to forage and seek work. They get frustrated when they find nothing until Gretel spots some mushrooms. They turn out to be "magic" mushrooms that cause the two to laugh hysterically. Hansel then wanders until he finds a house that has a cake smell coming from it. Gretel follows as she hears what sounds like a girl's voice beckoning her, seen alongside The Beautiful Child being taken away in a carriage. Gretel tries to stop Hansel from going inside, but he goes anyway and appears to be taken by someone. Gretel tries to start a fire to break inside, but she is greeted by Holda ( Alice Krige), the woman living inside. She invites the siblings inside for a meal and allows them to sleep there in exchange for work. Holda has Hansel go out into the woods to practice his skills with an axe, while she keeps Gretel at the house. Hansel enjoys his time there because they have plenty of food, but Gretel becomes suspicious of Holda's intentions. Gretel starts to see a vision of the Enchantress and hears children's voices guiding her somewhere, but before she finds out what's going on, she wakes up in her bed. While Hansel goes out, Holda shows Gretel how to tap into her powers as a witch. Gretel goes into the woods and manages to use her power to bring a tree branch near her so she can take a fruit. Meanwhile, Hansel also sees a vision of the Enchantress and spots a satanic carving on a nearby tree. Hansel starts to grow suspicious of Holda. Later in the night, Gretel makes her way into Holda's cellar where Hansel is sitting in a trance. Suddenly, the floor fills with goo, and a younger witch emerges, emptying buckets of guts onto the table before turning them into food, the same that Holda fed the siblings. The next day, Gretel sits with Holda, who eats something and pulls a long strand of a child's hair out of her mouth. Gretel pleads with Holda to let Hansel go, but she refuses. Through a series of visions, she tells Gretel the truth about the story of the Beautiful Child: Holda was the girl's mother, and she resented her daughter after she killed her father, and she left the girl in the woods of her own accord. However, the child lingered in Holda's mind, promising to share her powers with her if she trusted the darkness. With that, Holda devoured her other children and took on the disguise of an old woman to appear friendly and lure other children to their fates. Holda straps Gretel to a table in the cellar as she assumes her youthful appearance to lure Hansel into a cage so she can cook him. Gretel manages to use her powers to send a staff toward Holda, impaling her to the wall over the flames. Her body catches fire, and she cries in agony until she is dead, breaking the trance on Hansel and letting Gretel go free. Gretel decides to stay behind at the house while sending Hansel on his way with a horse. The horse brings him back to his old house, where his mother no longer stays. Gretel then sees the spirits of the dead children emerge from the trees, now free at last. However, her fingers turn black just like Holda's did, but her voiceover states that she will be brave and trust in herself. Cast [ edit] Sophia Lillis as Gretel, a 16-year old girl and Hansel's older sister. [6] Sam Leakey as Hansel, Gretel's 8-year old brother. Leakey is making his acting debut. [7] Charles Babalola as The Hunter, a young man who helps Gretel and Hansel early in the story. [8] Alice Krige as Holda / The Witch, a terrifying and powerful evil witch who lives in the shadows of the dark wood and kidnaps Gretel and Hansel. [7] Jessica De Gouw as Young Holda / the Witch Production [ edit] In October 2018, the Hollywood Reporter wrote that Orion Pictures had started developing a film adaptation of the German folklore tale Hansel and Gretel, with Oz Perkins directing a screenplay he had co-written with Rob Hayes, and Sophia Lillis starring as the lead character. [9] Sinister producer Brian Kavanaugh-Jones and The Autopsy of Jane Doe producer Fred Berger, partners at Automatik Entertainment, were announced as producers, with Sandra Yee Ling and Macdara Kelleher as executive producers. [10] Hayes eventually received sole screenplay credit. In November 2018, Charles Babalola was cast as the Hunter, a new character who helps Gretel and Hansel navigate the woods. [11] In April 2019, Alice Krige, Jessica De Gouw, and Sam Leakey joined the cast, with Leakey making his acting debut. [10] Perkins explained in an interview that the title was changed because this version focuses on Gretel: "It's awfully faithful to the original story. It's got really only three principal characters: Hansel, Gretel, and the Witch. We tried to find a way to make it more of a coming of age story. I wanted Gretel to be somewhat older than Hansel, so it didn't feel like two 12-year-olds – rather a 16-year-old and an 8-year-old. There was more of a feeling like Gretel having to take Hansel around everywhere she goes, and how that can impede one's own evolution, how our attachments and the things that we love can sometimes get in the way of our growth. " [12] Principal photography on the film began on November 9, 2018 in Dublin, Ireland, and wrapped in December 2018. [13] Additional filming and reshoots started in January 2019 in Langley, British Columbia [ disambiguation needed], Canada. Release [ edit] The film was released on January 31, 2020, by United Artists. [7] Reception [ edit] Box office [ edit] In the United States and Canada, the film was released alongside The Rhythm Section, and was projected to gross $4 million to $7 million from 3, 000 theaters in its opening weekend. [14] [3] The film made $2. 3 million on its first day (including $475, 000 from Thursday night previews). It debuted to $6. 1 million, finishing fourth. [15] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 63% based on 81 reviews, with an average rating of 6. 16/10. The site's critics consensus reads: " Gretel & Hansel ' s rich visuals satisfy, even if this adaptation of a classic fairytale gets a little lost in the woods on the storytelling front. " [16] On Metacritic, the film has a weighted average score of 64 out of 100, based on 16 critics, indicating "generally favorable reviews". [17] Audiences polled by CinemaScore gave the film an average grade of "C–" on an A+ to F scale. [15] Chandler Levack from The Globe and Mail wrote, "Everything about Gretel & Hansel is weirder, smarter and way more cinematic than I'd expected, thanks to some fascinating movie choices made by director Oz Perkins. " Kate Rife from The A. V. Club wrote, "If one of the boundaries being tested in this film is viewers' patience, the reward for—to use a refrain repeated throughout the film—'trusting the darkness' is well worth the commitment. " Frank Sheck of The Hollywood Reporter wrote, " Gretel & Hansel may alienate some horror movie fans with its extremely leisurely pacing and emphasis on atmosphere and mood rather than visceral shocks. But while the film certainly demands patience, it provides ample rewards with its lush stylization. " Contrarily, Andrew Barker of Variety wrote, "The problem is that so many of its virtues feel compromised, " and Mark Kennedy of The Associated Press wrote " Gretel & Hansel is as visually arresting as it is tedious, a 90-minute movie that really should have been a 3-minute music video for Marilyn Manson or Ozzy Osbourne. It's in the horror genre only loosely. It's more eerie, if that's a genre. Actually, it's like dread for 90 minutes. It's dreadful. " References [ edit] ^ " ' Gretel & Hansel' Are In Big Trouble In New Trailer".. Retrieved February 1, 2020. ^ a b c "Gretel & Hansel (2020) Film Review".. Retrieved February 1, 2020. ^ a b Rebecca Rubin (January 29, 2020). "Will Blake Lively's 'Rhythm Section' Fumble at the Box Office on Super Bowl Weekend? ". Variety. Retrieved January 29, 2020. ^ "Gretel & Hansel (2020)". Box Office Mojo. IMDb. Retrieved February 26, 2020. ^ "Gretel & Hansel (2020)". The Numbers. Retrieved February 23, 2020. ^ Kit, Borys (4 October 2018). " ' It' Breakout Sophia Lillis to Star in Fairy Tale Thriller 'Gretel and Hansel' (Exclusive)". The Hollywood Reporter. Retrieved 4 July 2019. ^ a b c Couch, Aaron (19 April 2019). "Fairytale Thriller 'Gretel and Hansel' Set 2020 Release Date (Exclusive)". Retrieved 4 July 2019. ^ Wiseman, Andreas (6 November 2018). "Charles Babalola Joins Sophia Lillis in Orion Horror 'Gretel and Hansel' From 'Sinister' & 'La La Land' Producers". Deadline Hollywood. Retrieved 4 July 2019. ^ a b Couch, Aaron (19 April 2019). Retrieved 4 July 2019. ^ Collis, Clark (August 26, 2019). " ' It' star Sophia Lillis goes to a dark place in first look at Osgood Perkins's 'Gretel & Hansel ' ". Entertainment Weekly. ^ Kay, Jeremy (9 November 2018). "Dublin shoot begins on 'Gretel And Hansel ' ". ScreenDaily. Retrieved 4 July 2019. ^ Jeremy Fuster (January 28, 2020). " ' The Rhythm Section' Arrives During Super Bowl Slump Weekend for Box Office". TheWrap. Retrieved January 29, 2020. ^ a b Anthony D'Alessandro (February 2, 2020). " ' Bad Boys for Life' Scores Over Super Bowl Weekend with $17M+; 'Rhythm Section' Is a Mess". Retrieved February 2, 2020. ^ "Gretel & Hansel (2020)". Rotten Tomatoes. Fandango. Retrieved February 1, 2020. ^ "Gretel & Hansel Reviews". Metacritic. CBS Interactive. Retrieved February 1, 2020. External links [ edit] Orion Pictures official website Gretel and Hansel on IMDb.

I wanna see a version of Little Red Riding Hood where Red happens to have 2 uzis and a thirst for violence. Is it gretel and hansel for femism lmao. Hansel & gretel movies. Gretel and hansel movie 2020 ending. Movie hansel & gretel witch hunters cast. Gretel & hansel movie review. Gretel & Hansel movie database. Gretel & hansel movie spoiler. Movies hansel & gretel 2002. Gretel 26 hansel movie trailer. Gretel & hansel movies. This seems to be based off an old show called “Jenny Jones Show”. A specific episode being “Hay PUNK lose The FUNK! ” Its a disgusting episode that brings unique guests on to sit in front of an audience of “normal” people and are thrown with shame/snarky remarks. Even the guests parents/friends are talking down on them RIGHT NEXT TO THEM. After everything, they change the guests looks/fashion to make them look “normal” for the crowds pleasure. Its the perfect visualization of “dress how people want you to dress you are not an individual”. —————— Now on this music video: I consider the show host (mac demarco) to be an abstract Jenny Jones. A lot of the guests (Wyatt & Fletcher) are dressed in Punk fashion (like the episodes guests) and are sitting beside their (assumed) loved ones who appear to be sad/angry/serious (like the guests parents/friends were. ————— Mac, is later on revealed to be the devil in disguise, this is a representation of how evil this mindset is (to make all people look and act the same. Afterwards the audience sees Mac is the devil and starts rioting against him. This shows that we can free ourselves from being blindlessly pup-petered (by brainwashing shows such as the Jenny Jones Show) and see the true evil (telling us how to look, act, feel, etc. we should fight to protect everyones uniqueness and learn to appreciate it (even if were not fond of it. —————— This vid has a wonderful message. Be yourself no matter how hard the pressure is. Have fun doing crazy looks. You will never be happy being someone youre not. Be you.

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Yeah now it's a bynaa booow! Loooooool. Gretel and hansel movie scene. Gretel & hansel movie tickets. Gretel & hansel movie wiki. Together they had been in the army for a dozen years or so. Gretel & Hansel movie page. Gretel & hansel movie plot. Hansel gretel movie in hindi. Ah one more wahman film, so much progressiveness, empowerment and sh!t emoji. Gretel & hansel movie plot. Gretel & hansel movie times. Gretel & Hansel movie maker. Exparsire su cerebro de sheriff sobre éstos estúpidos campesinos jajajaja. Gretel & Hansel movie page imdb. Gretel & hansel movie theater. Gretel and hansel movie clips.

Gretel & hansel movie rating 2020. Gretel & 26 hansel movie clips. The Grudge started making beats with the background music. This movie shouldve been called “Grudge the Musical”. Gretel and hansel movie 2019 trailer. IN THEATERS 1. 31. 20 IN THEATERS FRIDAY IN THEATERS TOMORROW NOW AVAILABLE FOR DIGITAL PURCHASE.


4:30 history repeats itself today. Everyone is curious whether the Xbox scarlet or ps5 has better graphics rather than who just has a better system. Gretel & hansel movie spoiler. Gretel and hansel movies.

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Saw this movie and wasn't Disappointed made up for January. I loved the weird background music. So how did the food seem fresh everyday and never rot. Gretel & hansel movie near me.


Gretel hansel movie 2020 full. Gretel & hansel movie oline. Level 1 The trees spell out FEED! runs under bed level 2 I only saw that after I saw this comment lol I'm interested! level 1 This is from the director of Blackcoats Daughter. Could be very good level 2 I think this could be amazing. Get 2 kids in there and just keep the suspense building on if this old lady is going to eat them or not. Keep the audience second guessing themselves the entire movie. level 2 Comment deleted by user 6 months ago ( More than 1 child) level 1 Incoming synthwave soundtrack. level 1 Why the hell is it not "Hansel and Gretel", that's messing with my head😂 level 2 Gretel's agent paid more to get her name first level 2 It seems like it's on purpose, since hearing it the opposite order from the usual way is slightly jarring. level 2 This ain't your daddy's Hansel and Gretel level 2 Ask the dude who made Alita Battle Angel. level 2 Probably to differentiate from other "Hansel and Gretel" Movies. level 2 That's some out-of-the-box creativity right there. Why bother with a new title if you can for it.. SWAP the character names. level 2 Part of it is probably better Google search results.


About The Author Sam witwicky
Biography: same old shit till mother nature plays fairly. devoted to destruction. shia labeouf worshipper


▌in Hindi▌ Little Joe Free Watch

▌in Hindi▌ Little Joe Free Watch Rated 3.6 / 5 based on 166 reviews.

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Runtime - 1 H 45M; Writer - Géraldine Bajard; Horror; 2658 vote; Ratings - 6,4 of 10; Release date - 2019. Little joe free watch youtube. Little joe free watch show. YouTube. Little joe free watch list. Little joe free watch videos. Little Joe Free watch. Little Joe Free watch video. Little joe free watch tv. I watched this movie because it had a Philip k. Dick appeal to it. Aesthetically the movie was enjoyable. I very much enjoyed the Kabuki music as it reminded me of Japanese theater and there were some elements to go with that. However, I also feel like it was over used specially with several chords being known to increase suspense but no real unveiling of it.

The ending leads you to believe that the reason the main character is so full throughout the movie is because she was the first to get infected and I can only assume it was pre-virus mutation. As she makes the dumbest choices that could only be explained by her need to spread the flower. Why else break a poisonous flower out of the lab. The character developments before their infection was poor, the only person you see a change (post infection) in personality was the mental crone who stays unaffected through a good portion of the movie. Because of the lack of character change it made the infection very unimpactful. If the main character wasn't infected the whole time then she is a significant case of denial as she notices no change in personality with any character without being told they were acting different even forward her own son. Making her a self absorbed characterless sponge.
I did enjoy the movie though I know I could have dosed off throughout the movie and still been on track.

Little Joe Watch Little Joe (2019) Full Movie Online for Free in HD without Registration. Overview: A genetically engineered plant scatters its seeds and seems to cause uncanny changes on living creatures. The afflicted appear strange, as if they were replaced – especially for those, who are close to them. Or is it all just imagination? Thus starts a play between various truths, on which end stands the loss of the own identity. IMDb Link: tt9204204 Little Joe 123Movies, GoMovies, GoStream and 123movieshub. Genre: Drama, Horror, Mystery, Science Fiction Director: Jessica Hausner Actors: Ben Whishaw, Emily Beecham, Kerry Fox, Kit Connor, Lindsay Duncan, Phénix Brossard, Sebastian Hülk Country: Austria, Germany, UK Duration: 105 min Quality: HD Release: 2019 IMDb: 5. 9.

Little Joe Free watch now. Little joe free watch 2017. May 17, 2019 9:15AM PT Jessica Hausner's artfully unnerving horror movie about a sinister flower is an 'Invasion of the Body Snatchers' for the age of antidepressants. Just about every horror movie has an opening stretch — it could be 20 minutes, or even the first 45 — that inches along in a creep-out mode of anticipatory anxiety, building to the moment when the demon, the slasher, the monster, the source of the fear factor is revealed. These days, the film will then usually turn into a ride. But even if it doesn’t, the source of the horror always becomes tangible, visible, alive. It takes audacity, and a special skill, to sustain that early mood of premonitory dread over an entire film. And that’s what happens in “ Little Joe, ” an artfully unnerving, austerely hypnotic horror movie about a very sinister plant. Behind the opening credits, the camera hovers, at a skewed high angle, over rows and rows of flower seedlings — hundreds of them — arranged with antiseptic precision in some sort of glassed-in white-on-white tech bunker of a laboratory. It’s hard not to notice that the flowers look a bit phallic, and when viewed in closeup, the bulbs, with a bit of red poking out at the top, suggest Venus flytraps just after they’ve had a munch. Years of horror thrillers have geared us to survey a scene like this one and expect, down the road, the eruption of something ghastly: an alien, perhaps, or monster seed pods like the ones in “ Invasion of the Body Snatchers. ” “ Little Joe ” wants us to be quietly unsettled by those plants. We look at them and wonder: Is this a nursery from hell? The answer is yes, sort of. “Little Joe, ” it turns out, is a variation on “ Invasion of the Body Snatchers. ” But it’s not the umpteenth remake; we hardly need another one of those. Instead, the Austrian filmmaker Jessica Hausner, directing her first English-language feature (and her fourth film to be shown at Cannes), picks up on the proverbial “Body Snatchers” theme — people turned into sinister conformist replicants of themselves — and updates it to our era in a singular and disturbing way. In “Little Joe, ” Hausner works in a shivery and deliberate modernist spook-show style, one that calls up echoes of early David Cronenberg and the Stanley Kubrick of “The Shining. ” She holds us in a refined trance, tantalized with fascination at what’s waiting around the corner. Keeping her camera moving with slow-glide voyeurism, she turns those plants into disquieting “creatures” even when they’re just sitting there being their innocent selves. The high-tech hothouse nursery where much the film is set is part of Planthouse Biotechnologies, a corporate plant-breeding laboratory in England that uses genetic engineering to create profitable new breeds. The seedlings glimpsed in the opening scene are the creation of Alice Woodard (Emily Beecham), a senior plant breeder with the company who has come up with the idea of a flower that gives off a scent so ambrosial it makes people euphoric just to sniff it. The flower she’s invented is pretty, but in a deceptively unspectacular way. It has a brown stem with a slight curve in it that looks like the sort of “designer” lamp you can buy at Target, and the bud opens into a snowball of red tendrils that makes the flower resemble an exotic chrysanthemum. Alice takes one of the plants home, where she lives as a single mom with her son, Joe (Kit Connor), who looks to be about 12. Setting the plant on a table with a light over it, she even names it: She calls the flower — and the entire breed — Little Joe. The flower’s scent is indeed divine. People take in one smoky burst of that pollen (it happens when the plant spreads its tendrils), and it transforms their mood. They feel happy. But they also feel different. They no longer feel completely like themselves. They look and sound the same, but on some barely perceptible level they don’t act in quite the same way. They’re a bit placid, a bit neutral, a bit in their own zone. They’re no longer engaged — not really — with the outside world. But it doesn’t matter (at least, to them), because the new way they feel is just as good; in fact, it feels better. They want to keep feeling that way. And thanks to the effect of Little Joe, they do. If this all sounds vaguely familiar, that’s because Hausner, working from a script she co-wrote with Géraldine Bajard, has built “Little Joe” around a daring metaphor. The original “Invasion of the Body Snatchers, ” made in 1956, with ordinary buttoned-down citizens being turned into emotionless “pod people, ” has sometimes been interpreted as a comment on the McCarthy era, but it was really a sci-fi allegory of the creeping social conformity of the 1950s. The 1978 version updated that same drone-of-conformity idea to the flaked-out weirdness of the post-counterculture ’70s. “Little Joe” spins it into a startling satirical view of the age of psychopharmacological drugs. The plants in “Little Joe” are nothing more, or less, than a horror-movie version of antidepressants. And in terms of the film’s drama, what’s sinister isn’t just the change in behavior we note in various characters: first Joe, a sweet kid who turns quietly indifferent to his mother, then Chris (Ben Whishaw), Alice’s devoted assistant on the plant project, who’s got a crush on her but then seems to morph into an office drone. No, the really creepy thing is the loyalty they develop to the plant that’s transformed them. Once they’ve been converted to their new state of weirdly numb contentment, they become fiercely protective of their new way of being; no one is allowed to question it. And that’s the scathing allegorical thrust of “Little Joe. ” It presents a landscape of medicated zombies who join in a cult of their own well-being, and who regard their new state as an ideology — not just a way to be but the way to be. Symbolically speaking, they’re addicts who don’t know it, hooked on the sinister interior aroma of mood-modification drugs. Hausner gets pinpoint performances out of her actors, and she needs to, since so much of “Little Joe” pivots around the subtlest of personality shadings. Emily Beecham, who’s like a more vivacious Claire Foy, plays Alice as beaming but increasingly troubled, a scientist who didn’t know she created a monster, and is now desperate to put that genie back in the bottle. Ben Whishaw is super-sly as the benign colleague who becomes a weasel without quite shedding his devotion to Alice. He’s not against her; he just wants her to join. David Wilmot is an arresting chameleon — now raging, now snake-oil smooth — as Alice’s office mate Karl, and Kerry Fox is superb as Bella, the mentally fragile Planthouse veteran who’s the first one to detect a shift in personality (in her dog). As for the film’s musical score, by Teiji Ito and Markus Binder, it’s practically another character: an Asian-flavored cacophony of drip drums, flute quavers, and shrieking tech that goes to work on your system. How you react to “Little Joe” may well hinge on your own beliefs about antidepressants — whether you think they’re an unalloyed force of good, a profit-driven conspiracy by Big Pharma (with the psychiatric establishment as their marketer/enablers), or something in between. But given how little direct criticism of our psychotropic-drug culture you can actually encounter in the media, it may be that a horror movie — albeit a shiveringly delicate and understated art-house one — is the ideal way to present the argument that we’re becoming a society of people too artificially addicted to well-being, regardless of the cost, to see anything outside it.

Bonanza Genre Western Created by David Dortort Starring Lorne Greene Pernell Roberts Dan Blocker Michael Landon Victor Sen Yung David Canary Mitch Vogel Ray Teal Bing Russell Tim Matheson Lou Frizzell Theme music composer Ray Evans Jay Livingston Opening theme "Bonanza" Ending theme "Bonanza" Composer(s) David Rose Walter Scharf Harry Sukman Fred Steiner William Lava Country of origin United States Original language(s) English No. of seasons 14 No. of episodes 431 ( list of episodes) Production Executive producer(s) David Dortort Mark Roberts Producer(s) Fred Hamilton, Robert Blees, Richard Collins Running time 49 minutes Production company(s) NBC [1] Distributor NBC Films (1972–1973) National Telefilm Associates (1973–1986) Republic Pictures (1986-1996) [2] Worldvision Enterprises (1996–1999) [2] Paramount Domestic Television (1999 [2] -2006) CBS Paramount Domestic Television (2006-2007) CBS Television Distribution (2007-present) [3] Release Original network NBC Picture format NTSC Audio format Mono First shown in United States Original release September 12, 1959 – January 16, 1973 Chronology Followed by Ponderosa Bonanza is an American western television series that ran on NBC from September 12, 1959, to January 16, 1973. Lasting 14 seasons and 431 episodes, Bonanza is NBC's longest-running western, and ranks overall as the second-longest-running western series on U. S. network television (behind CBS's Gunsmoke), and within the top 10 longest-running, live-action American series. The show continues to air in syndication. The show is set in the 1860s and it centers on the wealthy Cartwright family who live in the vicinity of Virginia City, Nevada, bordering Lake Tahoe. The series initially starred Lorne Greene, Pernell Roberts, Dan Blocker and Michael Landon and later featured (at various times) Guy Williams, David Canary, Mitch Vogel and Tim Matheson. The show is known for presenting pressing moral dilemmas. [4] The title "Bonanza" is a term used by miners in regard to a large vein or deposit of silver ore, [5] from Spanish bonanza (prosperity) and commonly refers to the 1859 revelation of the Comstock Lode of rich silver ore mines under the town of Virginia City, not far from the fictional Ponderosa Ranch that the Cartwright family operated. The show's theme song, also titled "Bonanza", became a hit song. Only instrumental renditions, absent Ray Evans' lyrics, were used during the series's long run. [6] In 2002, Bonanza was ranked No. 43 on TV Guide ' s 50 Greatest TV Shows of All Time, [7] and in 2013 TV Guide included it in its list of The 60 Greatest Dramas of All Time. [8] The time period for the television series is roughly between 1861 (Season 1) and 1867 (Season 13) during and shortly after the American Civil War. During the summer of 1972, NBC aired reruns of episodes from the 1967–1970 period in prime time on Tuesday evening under the title Ponderosa. [9] Premise [ edit] Approximate location of the fictional Ponderosa Ranch, the home of Cartwright family. The map is oriented with North at the top (instead of East at the top, as in the map shown on the program). The show chronicles the weekly adventures of the Cartwright family, headed by the thrice-widowed patriarch Ben Cartwright ( Lorne Greene). He had three sons, each by a different wife: the eldest was the urbane architect Adam Cartwright ( Pernell Roberts) who built the ranch house; the second was the warm and lovable giant Eric "Hoss" Cartwright ( Dan Blocker); and the youngest was the hotheaded and impetuous Joseph or "Little Joe" ( Michael Landon). Via exposition ( S01:E01 – "Rose for Lotta") and flashback episodes, each wife was accorded a different ancestry: English ( S02:E65 – "Elizabeth My Love"), Swedish ( S03:E95 – "Inger My Love"), and French Creole ( S04:E120 – "Marie My Love") respectively. The family's cook was Chinese immigrant Hop Sing ( Victor Sen Yung). Greene, Roberts, Blocker, and Landon were billed equally; the opening credits would alternate the order among the four stars. The family lived on a thousand square-mile (2, 600 km 2) ranch called the Ponderosa on the eastern shore of Lake Tahoe in Nevada opposite California on the edge of the Sierra Nevada range. [10] The vast size of the Cartwrights' land was quietly revised to "half a million acres" (2, 000 km 2) on Lorne Greene's 1964 song, "Saga of the Ponderosa. " The ranch name refers to the ponderosa pine, common in the West. The nearest town to the Ponderosa was Virginia City, where the Cartwrights would go to converse with Sheriff Roy Coffee (played by veteran actor Ray Teal), or his deputy Clem Foster ( Bing Russell). Bonanza was considered an atypical western for its time, as the core of the storylines dealt less about the range but more with Ben and his three dissimilar sons, how they cared for one another, their neighbors, and just causes. "You always saw stories about family on comedies or on an anthology, but Bonanza was the first series that was week-to-week about a family and the troubles it went through. Bonanza was a period drama that attempted to confront contemporary social issues. That was very difficult to do on television. Most shows that tried to do it failed because the sponsors didn't like it, and the networks were nervous about getting letters", explains Stephen Battaglio, a senior editor for TV Guide magazine. [11] Episodes ranged from high drama ("Bushwhacked", episode #392, 1971; "Shanklin", episode #409, 1972), to broad comedy ("Hoss and the Leprechauns", episode #146, 1964; "Mrs. Wharton and the Lesser Breeds", episode #318, 1969; "Caution, Bunny Crossing", episode #358, 1969), and addressed issues such as the environment ("Different Pines, Same Wind", episode #304, 1968), substance abuse ("The Hidden Enemy", episode #424, 1972), domestic violence ("First Love", episode #427, 1972), anti-war sentiment ("The Weary Willies", episode #364, 1970), and illegitimate births ("Love Child", episode #370, 1970; "Rock-A-Bye Hoss", episode #393, 1971). The series sought to illustrate the cruelty of bigotry against: Asians ("The Fear Merchants", episode #27, 1960; "The Lonely Man", episode #404, 1971), African-Americans ("Enter Thomas Bowers", episode #164, 1964; "The Wish", episode #326, 1968; "Child", episode #305, 1969), Native Americans ("The Underdog", episode #180, 1964; "Terror at 2:00", episode #384, 1970), Jews, ("Look to the Stars", episode #90, 1962); Mormons ("The Pursued", episodes #239-40, 1966), the disabled ("Tommy", episode #249, 1966) and " little people " ("It's A Small World", episode #347, 1968). Originally, the Cartwrights tended to be depicted as put-off by outsiders. Lorne Greene objected to this, pointing out that as the area's largest timber and livestock producer, the family should be less clannish. The producers agreed with this observation and changed the Cartwrights to be more amiable. Cast [ edit] Though not familiar stars in 1959, the cast quickly became favorites of the first television generation. The order of billing at the beginning of the broadcast appeared to be shuffled randomly each week, with no relation whatsoever to the current episode featured that week. The main cast of actors portraying Cartwrights is listed here in the order of their characters' ages, followed by an array of recurring supporting players: Lorne Greene – Ben Cartwright [ edit] Born in Ottawa, Ontario, Canada, to Russian- Jewish parents, [12] [13] Lorne Greene was chosen to play widowed patriarch Ben Cartwright. Early in the show's history, he recalls each of his late wives in flashback episodes. A standard practice with most westerns was to introduce some romance but avoid matrimony. Few media cowboys had on-screen wives. Any time one of the Cartwrights seriously courted a woman, she died from a malady, was abruptly slain, or left with someone else. Greene appeared in all but fourteen Bonanza episodes. Greene was 44 years old at the beginning of the series while Pernell Roberts and Dan Blocker, who portrayed two of his sons, were both 31, only thirteen years younger. In 2007, a TV Guide survey listed Ben Cartwright as television's #2 favorite dad. [14] Pernell Roberts – Adam Cartwright [ edit] Pernell Roberts played eldest son Adam, an architectural engineer with a university education. Adam built the impressive ranch house. [15] [16] Roberts disdained the assembly-line mindset of serial television [ citation needed] (a rigid 34 episode season), and fought with series writers regarding Adam's lack of independence, noting that his 30-plus year old character was dependent on his "Pa's" approval. Despite the show's success, Roberts departed the series after the 1964–65 season (202 episodes) and returned to stage productions. Attempts to replace Adam with Little Joe's maternal half-brother Clay ( Barry Coe) and Cartwright cousin Will ( Guy "Zorro" Williams), were unsuccessful. [17] Creator David Dortort introduced a storyline that would keep the character of Adam in the mix, but with a lighter schedule. During season five Adam falls for a widow with a young daughter, while making Will Cartwright a central figure. Roberts decided to stay an additional season, so the scripts were quickly revised by having Adam's fiancée and her daughter depart the series prematurely with Guy Williams' Will, with whom she'd fallen in love. It was Landon, not Roberts, who objected to the infusion of any new Cartwrights. [13] [17] After Roberts did leave the following year, it was eventually mentioned that Adam had gone "to sea", and in the later movies he had emigrated to Australia and had a son Adam 'A. C. ' Cartwright, Jr. In mid 1972, the series producers considered inviting Roberts back in the wake of Dan Blocker's death: "One suggestion was to return Pernell Roberts, who had played another Cartwright son when Bonanza first premiered on NBC fourteen years ago. We only considered that briefly, [producer Richard Collins says] Some people felt it was a logical step—the oldest son returning at a time of family need—but most of us didn't think it would work. ' " [18] Dan Blocker – Eric "Hoss" Cartwright [ edit] Dan Blocker was 6-foot-4, 320-pounds [19] when chosen to play the gentle middle son Eric, better known as "Hoss". The nickname was used as a nod to the character's ample girth, [20] an endearing term for "big and friendly", used by his Swedish mother (and Uncle Gunnar). [21] In the Bonanza flashback, [22] his mother Inger names him Eric after her father. To satisfy young Adam, Inger and Ben agree to try the nickname Hoss and "see which one sticks. " Inger says of "Hoss", "In the mountain country, that is the name for a big, friendly man. " According to a biography, [13] the show's crew found Blocker to be the "least actor-ish as well as the most likeable" cast member. According to producer David Dortort: "Over the years he gave me the least amount of trouble. " [13] Dan Blocker as Hoss Cartwright In May 1972, Blocker died suddenly from a post-operative pulmonary embolism following surgery to remove his gall bladder. The producers felt nobody else could continue the role. It was the first time a TV show's producers chose to kill off a young major male character (though it was done twice previously with young female leads—in 1956 on Make Room For Daddy, and again in 1963 with The Real McCoys). Not until the TV movie Bonanza: The Next Generation was it explained that Hoss had drowned attempting to save a woman's life. [ citation needed] Although "big and lovable", Blocker was also tough. Several years after his death, Landon appeared on The Tonight Show Starring Johnny Carson and related the following anecdote. During the shooting of one episode, Blocker's horse stumbled and fell, throwing Blocker and breaking his collarbone. Blocker got up and the bone was actually protruding from his skin. The crew wanted to call an ambulance but Blocker refused and stuck the bone back in place himself and resumed filming. At the end of the day he was convinced to go to the hospital where they set the broken bone and gave him strict instructions, no riding for six weeks. According to Landon, evidently Blocker's horse forgot what it was like to carry the big man during his convalescence because the first time that Blocker swung up into the saddle on his return, the horse collapsed under his weight and the cast and crew collapsed in fits of laughter. [ citation needed] Michael Landon – Joseph "Little Joe" Cartwright [ edit] The role of "Little Joe" was given to Michael Landon. He played guest roles on several TV westerns and attained the title role in I Was a Teenage Werewolf. He portrayed the youngest Cartwright son, whose mother (Felicia in the pilot, and later changed to Marie) was of French Creole descent. Landon began to develop his skills in writing and directing Bonanza episodes, starting with "The Gamble. " Most of the episodes Landon wrote and directed were dramas, including the two-hour, "Forever" (1972), which was recognized by TV Guide as being one of television's best specials (November 1993). [ vague] Landon's development was a bit stormy according to David Dortort, who felt that the actor grew more difficult during the last five seasons the show ran. [23] Landon appeared in all but fourteen Bonanza episodes for its run, a total of 416 episodes. Beginning in 1962, a foundation was being laid to include another "son", as Pernell Roberts was displeased with his character. In the episode "First Born" (1962), viewers learn of Little Joe's older, maternal half-brother Clay Stafford. The character departed in that same episode, but left an opportunity for a return if needed. This character's paternity is open to debate. In the 1963 flashback episode "Marie, My Love", his father was Jean De'Marigny. Then in 1964, Lorne Greene released the song "Saga of the Ponderosa", [23] wherein Marie's previous husband was "Big Joe" Collins, who dies saving Ben's life. After Ben consoles Marie, the two bond and marry. They choose to honor "Big Joe" by calling their son "Little Joe". So, whether to Stafford, De'Marigny or Collins, Marie Cartwright was previously married. In the last of the three Bonanza TV movies, it is revealed that "Little Joe" had died in the Spanish–American War – a member of the " Rough Riders ". Little Joe had a son Benjamin 'Benj' Cartwright who was seen in all three Bonanza TV movies. Ray Teal – Sheriff Roy Coffee [ edit] Veteran character actor Ray Teal essayed the role of Sheriff Roy Coffee on 98 episodes from 1960 to 1972. [24] He appeared in more than 250 movies and some 90 television programs during his 37-year career. His longest-running role was as Sheriff Roy Coffee. He had also played a sheriff in the Billy Wilder film Ace in the Hole (1951). Teal co-starred in numerous TV westerns throughout his career: he appeared five times on Cheyenne, twice on The Lone Ranger, on The Alaskans, a short-lived series starring Roger Moore, three times in different roles on another long-running western series, Wagon Train, on NBC's Tales of Wells Fargo with Dale Robertson, on the ABC western series Broken Arrow, five times on the ABC western comedy Maverick starring James Garner and Jack Kelly, sometimes playing a villain, on the CBS western series The Texan with Rory Calhoun, the NBC western series The Californians, twice on Colt. 45 with Wayde Preston, once on Wanted: Dead or Alive with Steve McQueen and as "Sheriff Clay" for a single 1960 episode of the NBC western series Riverboat with Darren McGavin, and four times on a western series about the rodeo entitled Wide Country. Teal was a bit-part player in western films for several years before landing a substantial role in Northwest Passage (1940) starring Spencer Tracy. Another of his roles was as Little John in The Bandit of Sherwood Forest (1946). Notable film roles include playing one of the judges in Judgment at Nuremberg (1961) with Spencer Tracy, and an indulgent bar owner to Marlon Brando 's motorcycle gang in The Wild One (1953), which was the second of three times that Teal appeared with Brando, having done so already as a drunk in Brando's debut in The Men (1950) and later in Brando's only directorial effort, One-Eyed Jacks (1961), as a bartender. Sheriff Coffee was occasionally the focus of a plot as in the episode "No Less a Man" (broadcast March 15, 1964). A gang of thieves has been terrorizing towns around Virginia City and the town council wants to replace Coffee, whom they consider over-the-hill, with a younger sheriff before the gang hits town, not realizing that they'd been spared earlier because the gang's leader was wary of Coffee's longevity and only acquiesced to rob the Virginia City bank after extreme pressure from other gang members. Coffee ends up showing the town that youth and a fast gun don't replace experience. Guy Williams - Will Cartwright [ edit] Guy Williams was slated in 1964, the year that Bonanza hit #1 in the ratings, to replace Pernell Roberts upon Roberts' departure, enabling the series to preserve the four-Cartwright format for the run of the series. His character, Ben's nephew Will Cartwright, was introduced and was the lead character in five episodes, receiving "Starring" billing after the four original rotating Cartwrights during his second appearance going forward, but Roberts changed his mind later and decided to stay for one more season, whereupon Williams found himself pushed out of the part; it was rumored that Michael Landon and Lorne Greene felt threatened by the studio initiating a precedent of successfully replacing one heroic leading man Cartwright with a new one, particularly in view of Williams' popularity with viewers. Williams had previously portrayed the titular character in Walt Disney 's Zorro television series, and went on to play the lead in Lost in Space, a science fiction television series, after the role in Bonanza ended. David Canary – "Candy" Canaday [ edit] After graduating from the University of Cincinnati, David Canary was offered a left-end position with the Denver Broncos, [13] but pursued acting and singing. In 1967, he joined the cast as "Candy" Canaday, a plucky Army brat turned cowboy, [25] who became the Cartwrights' confidant, ranch foreman and timber vessel captain. Dortort was impressed by Canary's talent, but the character vanished in September 1970, after Canary had a contract dispute. He returned two seasons later after co-star Dan Blocker's death, reportedly having been approached by Landon. Canary played the character on a total of 93 episodes. [24] Canary joined the cast in Season 9. Victor Sen Yung – Hop Sing [ edit] Chinese American actor Victor Sen Yung played the Cartwrights' happy-go-lucky cook, whose blood pressure rose when the family came late for dinner. Cast here as the faithful domestic, the comedy relief character had little to do beyond chores. He once used martial arts to assail a towering family foe. [26] Though often referenced, Hop Sing only appeared in an average of eight to nine shows each season. As a semi-regular cast member, Sen Yung was only paid per episode. After 14 years, he was widely known, but making far less than his Ponderosa peers. The Hop Sing character was central in only two episodes: "Mark Of Guilt" (#316) and "The Lonely Man" (#404). Mitch Vogel – Jamie Hunter/Cartwright [ edit] After Canary's departure in mid-1970, and aware of the show's aging demographic, the writers sought a fresh outlet for Ben's fatherly advice. Fourteen-year-old Mitch Vogel was introduced as Jamie Hunter in "A Matter of Faith" (season 12, episode 363). Vogel played the red-haired orphan of a roving rainmaker, whom Ben takes in and adopts later in a 1971 episode, called "A Home for Jamie. " Tim Matheson – Griff King [ edit] During the final season, in 1972–73, Tim Matheson portrayed Griff King, a parolee who tries to reform his life as a worker at the Ponderosa Ranch under Ben Cartwright's tutelage. Lou Frizzell - Dusty Rhodes [ edit] Following Canary's departure, Frizzell's character accompanied Jamie Hunter to the Ponderosa and became the Cartwright's foreman. Cast episode count [ edit] (Of 431 total episodes) Lorne Greene – Ben Cartwright - 417 episodes (Season 1-14) Michael Landon – Joseph "Little Joe" Cartwright - 416 episodes (Season 1-14) Dan Blocker – Eric "Hoss" Cartwright - 401 episodes (Season 1-13) Pernell Roberts – Adam Cartwright - 173 episodes (Season 1-6) Victor Sen Yung – Hop Sing – 107 episodes (Season 1-14) Ray Teal - Sheriff Coffee – 98 episodes (Season 2-13) David Canary – "Candy" Canaday - 93 episodes (Season 9-11, 14) Bing Russell – Deputy Clem Foster - 57 episodes (Season 4-5, 7-14) Mitch Vogel – Jamie Hunter Cartwright - 47 episodes (Season 12-14) Tim Matheson – Griff King - 12 episodes (Season 14) Lou Frizzell - Dusty Rhodes - 11 episodes (Season 11-13) Guy Williams - Will Cartwright - 5 episodes (Season 5) Episodes [ edit] Broadcast history and ratings [ edit] Initially, Bonanza aired on Saturdays at 7:30 p. m. Eastern, opposite "Dick Clark's Saturday Night Beech-Nut Show" and "John Gunther's High Road" on ABC, and Perry Mason on CBS. Bonanza ' s initial ratings were respectable, often coming in behind Mason but ahead of the ABC line-up. Ironically, executives considered canceling the show before its premiere because of its high cost. NBC kept it because Bonanza was one of the first series to be filmed and broadcast in color, including scenes of picturesque Lake Tahoe, Nevada. NBC's corporate parent, Radio Corporation of America (RCA), used the show to spur sales of RCA-manufactured color television sets (RCA was also the primary sponsor of the series during its first two seasons). NBC moved Bonanza to Sundays at 9:00 pm Eastern with new sponsor Chevrolet (replacing The Dinah Shore Chevy Show). The new time slot caused Bonanza to soar in the ratings, and it eventually reached number one by 1964, an honor it would keep until 1967 when it was seriously challenged by the socially daring variety show, The Smothers Brothers Comedy Hour on CBS. By 1970, Bonanza was the first series to appear in the Top Five list for nine consecutive seasons (a record that would stand for many years) and thus established itself as the most consistent strong-performing hit television series of the 1960s. Bonanza remained high on the Nielsen ratings until 1971, when it finally fell out of the Top Ten. During the summer of 1972, NBC broadcast reruns of episodes of the show from the 1967–1970 era on Tuesdays at 7:30 p. under the title Ponderosa while also rerunning more recent episodes on Sunday evenings in the show ' s normal time slot as Bonanza. [9] In the fall of 1972, off-network episodes were released in broadcast syndication to local stations by NBC under the Ponderosa name. After the series was canceled in 1973, the syndicated reruns reverted to the Bonanza name. Awards [ edit] 1964: Logie Award for Most Popular Overseas Show (Australia) 1965: Primetime Emmy Award for Outstanding Individual Achievements in Entertainment - Color Consultant, Edward P. Ancona Jr. (color consultant) 1966: Primetime Emmy Award for Individual Achievements in Film Editing - Marvin Coil (editor), Everett Douglas (editor), Ellsworth Hoagland (editor) 1969: Bambi, TV Series International - Lorne Greene, Dan Blocker, Michael Landon and Pernell Roberts 1970: Bronze Wrangler Award, True Television Drama - For episode "The Wish". 1971: Primetime Emmy Award Outstanding Achievement in Music Composition - For a Series or a Single Program of a Series (First Music's Use Only) David lean (composer) For episode "The Love Child". 2003: TV Land Award for Best in the West 2011: OFTA TV Hall of Fame Television Programs Other nominations [ edit] 1961: Writers Guild of America, USA - Episodic, Longer Than 30 Minutes in Length - Donald S. Sanford For Bonanza: The Last Hunt (1959). 1962: Primetime Emmy Award for Outstanding Achievement in Cinematography for Television - Walter Castle (cinematographer) and Haskell B. Boggs (cinematographer) 1963: Primetime Emmy Award for Outstanding Achievement in Art Direction and Scenic Design - Hal Pereira (art director) and A. Earl Hedrick (scenic designer) 1964: Golden Globes Award for Best TV Show 1964: Golden Award for Best TV Star Male: Lorne Greene 1964: Eddie Awards for Best Edited Television Program - Marvin Coil For episode "Hoss and the Leprechaun". 1965: Primetime Emmy Award for Outstanding Individual Achievements in Entertainment - Cinematographer - Haskell B. Boggs (cinematographer) and William P. Whitley (cinematographer) 1966: Primetime Emmy Award for Outstanding Dramatic Series - David Dortort (producer) 1966: Primetime Emmy Award for Individual Achievements in Music - Composition David Rose 1966: Primetime Emmy Award for Individual Achievements in Cinematography - Cinematography - Haskell B. Whitley (cinematographer) 1966: Primetime Emmy Award for Individual Achievements in Cinematography - Special - Edward P. (color coordinator) 1966: Troféu Imprensa, Brazil - Best Series (Melhor Série) 1967: Primetime Emmy Award for Individual Achievements in Cinematography - Cinematography Haskell B. Whitley (cinematographer) 1970: Eddie Awards for Best Edited Television Program - Danny B. Landres For episode "Dead Wrong". 1971: Primetime Award for Outstanding Achievement in Cinematography for Entertainment Programming - For a Series or a Single Program of a Series - Ted Voigtlander For episode "The Love Child". 2003: TV Land Award for Favorite Made-for-TV Maid - Victor Sen Yung Production [ edit] Costumes [ edit] Pernell Roberts, Dan Blocker, Lorne Greene and Michael Landon (1961) From the third season on, the Cartwrights and nearly every other recurring character on the show wore the same clothing in almost every episode. The reason for this is twofold: it made duplication of wardrobe easier for stunt doubles (Hal Burton, Bob Miles, Bill Clark, Lyle Heisler, Ray Mazy) and it cut the cost of refilming action shots (such as riding clips in-between scenes), as previously shot stock footage could be reused. Below is a survey of costumes employed: Ben Cartwright: Sandy shirt, tawny leather vest, gray pants, cream-colored hat, occasional green scarf. Adam Cartwright: Black shirt, black or midnight blue pants, black hat. Elegant city wear. Cream-colored trail coat. Hoss Cartwright: White shirt, brown suede vest, brown pants, large beige flat-brimmed, ten-gallon hat. Little Joe Cartwright: Beige, light gray shirt, kelly-green jacket, tan pants, beige hat. Black leather gloves from 10th season on. In season 14, he and Greene occasionally wore different shirts and slacks, as the footage of them and the late Dan Blocker together could no longer be reused. Candy Canaday: Crimson shirt, black pants, black leather vest, black hat, grey/ pale purple scarf. It was not unusual for Little Joe Cartwright and Candy Canaday to appear shirtless in various scenes involving manual labor. Hair styles [ edit] In 1968, Blocker began wearing a toupee on the series, as he was approaching age 40 and his hair loss was becoming more evident. He joined the ranks of his fellow co-stars Roberts and Greene, both of whom had begun the series with hairpieces (Greene wore his modest frontal piece in private life too, whereas Roberts preferred not wearing his, even to rehearsals/ blocking). Landon was the only original cast member who was wig-free throughout the series, as even Sen Yung wore an attached rattail- queue. [27] Theme song [ edit] Original cast: Dan Blocker, Michael Landon, Lorne Greene and Pernell Roberts (1959) Dan Blocker (Hoss), Michael Landon (Little Joe), Lorne Greene (Ben) and one of the Bonanza horses. Bonanza features a memorable theme song by Jay Livingston and Ray Evans that was orchestrated by David Rose and arranged by Billy May for the television series. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. [28] The Bonanza theme song famously opens with a blazing Ponderosa map and saddlebound Cartwrights. The melodic intro, emulating galloping horses, is one of the most recognized television scores. Variations of the theme were used for 12 seasons on the series. Although there were two official sets of lyrics (some country-western singers, avoiding royalties, substituted the copyright renditions with their own words), the series simply used an instrumental theme. Three of the cast members bellowed-out the original lyrics, unaccompanied, at the close of the pilot (Pernell Roberts, the sole professional singer of the quartet, abstained and untethered the horse reins). Before the pilot aired (on September 12, 1959), the song sequence, deemed too campy, was edited out of the scene and instead the Cartwrights headed back to the ranch whooping and howling. In a 1964 song, the Livingston-Evans lyrics were revised by Lorne Greene with a more familial emphasis, "on this land we put our brand, Cartwright is the name, fortune smiled the day we filed the Ponderosa claim" ("Bonanza", Bear Family Box set, Disc #2). In 1968, a slightly revamped horn and percussion-heavy arrangement of the original score introduced the series- which was used until 1970. A new theme song, called "The Big Bonanza" was written in 1970 by episode scorer David Rose, and was used from 1970–1972. Action-shot pictorials of the cast replaced the galloping trio. Finally, a faster rendition of the original music returned for the 14th and final season, along with action shots of the cast. The theme song has been recorded by numerous artists in a diverse variety of styles. The first recorded and released version was an instrumental by Marty Gold, on his 1960 album Swingin' West. This was followed by the February 1960 single by Buddy Morrow and his Orchestra, which included vocals. Morrow's version also appeared on his 1960 album Double Impact which featured several other then-recent television themes. In December 1960, another vocal version was issued only in the United Kingdom by Johnny Gregory (bandleader) and his Orchestra and Chorus released on the Fontana label. All aforementioned vocal versions, including the television pilot, used lyrics written by Livingston and Evans contained in the first published sheet music for the song, though not all the lyrics were sung. A Bonanza soundtrack album released in late 1961 included a version by David Rose; Rose also had a 1960 single and included the theme on his 1961 album Exodus in a different mix. The biggest hit version is a guitar instrumental by Al Caiola, which reached number 19 on Billboard in 1961. Other versions were released by Billy Vaughn, Valjean, Lorne Greene, Johnny Cash and Nelson Riddle. Country singer Johnny Cash was first to record a full length vocal version of the theme song. He and Johnny Western discarded the original Livingston and Evans lyrics, and wrote new ones, though the revised lyrics still make direct reference to the Cartwrights and the Ponderosa. The song first saw release by September 1962 as a single. Sometime after June 1963, it was released as a track on his sixteenth album: Ring of Fire: The Best of Johnny Cash. This version was later covered by Faron Young for his 1963 album Aims at the West. Singer Ralf Paulsen recorded a German-language version of the song in 1963, released in mid-June 1963 on Capitol Records in the United States. His German version (lyrics attributed to "Nicolas") was sung in the same style and mood in which Cash had recorded it, and was fairly close in translation. Carlos Malcolm & His Afro-Jamaican Rhythms released a ska version of the song as "Bonanza Ska" on Trojan Records in 1964. This version was later covered by Bad Manners (1989) and the Hurtin' Buckaroos (1997). Michael Richards, as Stanley Spadowski, sang a bit of the theme song while being held hostage by Channel 8's news goons in UHF (he did not know the words to the song he was originally supposed to sing, " Helter Skelter "). Michael Feinstein was the last to record the song in 2002 on his Songs of Evans and Livingston tribute CD. The Little House on the Prairie theme (also by Rose), was heard first in a 1971 episode of Bonanza. The overture for The High Chaparral composed by Harry Sukman can be heard briefly at the start of the 1966 episode "Four Sisters from Boston". On January 29, 2011, Marty Stuart and the Fabulous Superlatives performed the song on episode 56 of The Marty Stuart Show. The band often includes the song in their live shows. [29] Set [ edit] Ponderosa tour postcard - visitors tour the replica ranchhouse and its big living room with stone fireplace overlooking the east shore of Lake Tahoe, in Incline Village, Nevada where several rebuilt ranch buildings were used as a set for outside filming The opening scene for the first season was shot at Lake Hemet, a reservoir in the San Jacinto Mountains, Riverside County, California, and later moved to Lake Tahoe. During the first season extra horses were rented from the Idyllwild Stables in Idyllwild, also in the San Jacinto Mountains. The first Virginia City set was used on the show until 1970 and was located on a backlot at Paramount and featured in episodes of Have Gun – Will Travel, Mannix, and The Brady Bunch. In the 1970 premiere episode of the 12th season entitled "The Night Virginia City Died", Deputy Clem Foster's pyromaniac fiancée levels the town in a series of fires (reflecting a real 1875 fire that destroyed three-quarters of Virginia City). This allowed for a switch to the less expensive Warner studios from September 1970 through January 1973. The script was initially written for the departing David Canary's Candy, but was rewritten for actors Ray Teal (Sheriff Roy Coffee) and Bing Russell (Deputy Clem Foster), who rarely appeared together on the show. The program's Nevada set, the Ponderosa Ranch house, was recreated in Incline Village, Nevada, in 1967, and remained a tourist attraction until its sale thirty-seven years later in September 2004. It was partially filmed in Wildwood Regional Park in Thousand Oaks, California. [30] [31] [32] [ edit] Bonanza is uniquely known for having addressed racism, not typically covered on American television during the time period, from a compassionate, humanitarian point-of-view. Bigotry, and anti-semitism, [33] was the subject of the episode "Look to the Stars" (Season 3, Episode 26; original air date March 18, 1962). A bigoted school teacher Mr. Norton (oblivious of his prejudice) routinely expels minority students. When he expels the brilliant Jewish student Albert Michelson, a scientific genius whose experiments on the streets of Virginia City often cause commotion, Ben Cartwright steps in and confronts Norton on his bigotry. Ashamed, the school teacher vows to reform. [34] A coda to the episode reveals that Michelson went on to win the Nobel Prize for Physics. In the episode "Enter Thomas Bowers " (Season 5, Episode 30; original air date April 26, 1964), the Cartwright family helps the opera singer Bowers, an African American freedman, after he encounters prejudice while in Virginia City to perform. Bowers winds up arrested as a fugitive slave. At the beginning of the episode, Adam is shown to be outraged at the Supreme Court 's Dred Scott v. Sandford decision (placing the time as 1857), which he discusses with his father. According to David Dortort, sponsor General Motors was anxious about the episode. As producer, Dortort ensured that the episode re-aired during the summer rerun seasons, though two TV stations in the South refused to air it. [35] In the episode "The Wish, " directed by Michael Landon, Hoss protects an African American former slave's family when confronted with racism after the American Civil War. In "The Fear Merchants, " discrimination against Chinese immigrants who attempt to assimilate in American society is addressed. [36] [37] "The Lonely Man" presents the controversial interracial marriage between the Cartwrights longtime Chinese chef (Hop Sing) and a white woman (Missy). Bonanza merchandise [ edit] Pernell Roberts as Adam in "The Hopefulls" Bonanza has had a highly profitable merchandising history. Currently, Bonanza Ventures, Inc. grants merchandising and licensing rights worldwide. The original series has spawned several successful novelty western/folk albums from 1962–1965; three dozen Dell and Gold Key comic books from 1962 through 1970; a short-lived comic book adaptation by Dutch comics artist Hans G. Kresse between 1965-1966, [38] Jim Beam Whiskey Ponderosa Ranch decanters 1964–1966; a series of "Big-Little" books from 1966–1969; Revel Bonanza model character sets from 1966–1968; a chain of Bonanza and Ponderosa steakhouses from 1963–present; the Lake Tahoe -based "Ponderosa" theme park from 1967–2004; a line of American Character action figures in 1966–1967; Aladdin lunch buckets and thermos bottles in 1966–1968; View Master slide sets in 1964, 1971; Ponderosa tin cups from 1967–2004; a series of Hamilton collector plates in 1989–1990; and most recently, Breyer Fiftieth Anniversary Ponderosa Stable sets, with horses and Cartwright figures in 2009–2011. Fourteen Bonanza novels have been published: Bonanza: A Novel by Noel Loomis (1960); Bonanza: One Man With Courage by Thomas Thompson (1966); Bonanza: Killer Lion by Steve Frazee (1966); Bonanza: Treachery Trail by Harry Whittington (1968); Winter Grass by Dean Owen (1968); Ponderosa Kill by Dean Owen (1968); The Pioneer Spirit by Stephen Calder (1988); The Ponderosa Empire by Stephen Calder (1991); Bonanza: The High Steel Hazard by Stephen Calder (1993); Journey of the Horse by Stephen Calder (1993); The Money Hole by Stephen Calder (1993); The Trail to Timberline by Stephen Calder (1994); Bonanza: Felling of the Sons by Monette L. Bebow-Reinhard (2005), and Bonanza: Mystic Fire by Monette L. Bebow-Reinhard (2009). There is also a collection of Bonanza stories: The Best of Bonanza World: A Book of Favorite Stories, published by CreateSpace Independent Publishing Platform (2012). Bonanza Gold (2003–2009), a quarterly magazine, featured detailed information about the show, including interviews with guest actors and other production personnel, articles about historical events and people depicted in the series, fan club information, and fan fiction. Seasons 1-8 (as of 06/2015) are available on DVD, as well as several non-successive public-domain episodes (sans original theme music). The prequel series, The Ponderosa, as well as the three sequel movies (see below), are all available on DVD. Cancellation and resurgence [ edit] Front to back: Pernell Roberts, Michael Landon, Dan Blocker and Lorne Greene In the fall of 1972, NBC moved Bonanza to Tuesday nights – where reruns from the 1967–1970 period had aired the previous summer under the title Ponderosa [9] – opposite the All In The Family spinoff show, Maude, a virtual death sentence for the show. The scheduling change, as well as Dan Blocker's death several months earlier, resulted in plunging ratings for the show. David Canary returned to his former role of Candy (to offset Hoss' absence), and a new character named Griff King (played by Tim Matheson) was added to lure younger viewers. Griff, in prison for nearly killing his abusive stepfather, was paroled into Ben's custody and got a job as a ranch hand. Several episodes were built around his character, one that Matheson never had a chance to fully develop before the show's abrupt cancellation in November 1972 (with last episode airing January 16, 1973). Many fans, as well as both Landon and Greene, felt that the Hoss character was essential, as he was a nurturing, empathetic soul who rounded out the all-male cast. For 14 years, the Cartwrights were the premier western family on American television and have aired on cable networks such as TV Land, INSP, Family Channel, and the Hallmark Channel. The series currently airs on Me-TV, TV Land, INSP, and Encore Westerns. TV Land airs Bonanza from only the first season to the 1969-1970 season. INSP first aired only selected first and second-season episodes of Bonanza and began to air the Bonanza Lost Episodes packages which contains episodes that originally aired from 1965-1973. Family Channel and the Hallmark Channel were two other channels that have also only aired the Bonanza Lost Episodes package. In October 2015, Me-TV additionally began airing the Bonanza Lost Episodes package. [39] As of December 2016, Me-TV returned to airing the original episodes package. Ever since March 2018 Me-TV has been airing the Lost Episodes, wanting to play the entire series from beginning to end. Television movies [ edit] Bonanza was revived for three made-for-television movies featuring the Cartwrights' children: Bonanza: The Next Generation (1988), Bonanza: The Return (1993), and Bonanza: Under Attack (1995). Michael Landon Jr., played Little Joe's son Benji while Gillian Greene, Lorne Greene's daughter, played a love interest. In the second movie, airing on NBC, a one-hour retrospective was done to introduce the drama. It was hosted by both Michael Landon Jr., and Dirk Blocker, who looks and sounds almost exactly like his father Dan Blocker except that Dirk Blocker is not nearly as tall. According to the magazine TV Guide, producer Dortort told Blocker he was too old to play the Hoss scion, but gave him the role of an unrelated newspaper reporter. Clips of his appearance were heavily used in advertisements promoting the "second generation" theme, perhaps misleading audiences to believe that Blocker was playing Hoss' heir. Hoss' son Josh was born out of wedlock, as it is explained that Hoss drowned without knowing his fiancėe was pregnant. Such a storyline might have been problematic in the original series. ( The Big Valley, however, had a major character in Heath, who was presented as illegitimate. The Gunsmoke movies of the early 1990s employed a similar theme when Marshal Matt Dillon learned he had sired Michael Learned 's character's daughter in a short-lived romance. The initial story was first introduced in 1973, when depiction of fornication courted protests, so CBS insisted their hero Matt have the encounter when he had amnesia. ) Prequel [ edit] For more, see: Ponderosa (TV series) In 2001, there was an attempt to revive the Bonanza concept with a prequel, Ponderosa – not to be confused with the 1972 summer reruns under the same title [9] – with a pilot directed by Simon Wincer and filmed in Australia. Covering the time when the Cartwrights first arrived at the Ponderosa, when Adam and Hoss were teenagers and Joe a little boy, the series lasted 20 episodes and featured less gunfire and brawling than the original. Bonanza creator David Dortort approved PAX TV (now Ion TV)'s decision to hire Beth Sullivan, formerly of Dr. Quinn, Medicine Woman, which some believe gave the series more depth as well as a softer edge. The Hop Sing character is depicted not only as a cook but also a family counselor and herbal healer. The series takes place in Nevada Territory in 1849, which is actually an anachronism. The Nevada Territory did not split from the Utah Territory until 1861, meaning that until at least the 5th season (the episode "Enter Thomas Bowers" establishes that year as 1857), Bonanza is also set in what in real life would have been Utah Territory. Home media [ edit] Hoss Cartwright (Dan Blocker) with 19th century home media Several early episodes have fallen into the public domain. These episodes have been released by several companies in different configurations, with substandard picture and sound quality, edited, and by legal necessity with the copyright-protected Evans-Livingston theme song replaced with generic western music. In 1973, NBC licensed the distribution rights to the series, along with the rest of its pre-1973 library, to National Telefilm Associates, which changed its name to Republic Pictures in 1986. Republic would become part of the Spelling Entertainment organization in 1994 through Worldvision Enterprises. Select episodes ("The Best of Bonanza") were officially released in North America in 2003 on DVD through then-Republic video licensee Artisan Entertainment (which was later purchased by Lionsgate Home Entertainment). Republic (through CBS Television Distribution, which holds the television side of Republic's holdings) still retains the syndication distribution rights to the series. CBS Home Entertainment (under Paramount Home Media Distribution) is the official home video rights distributor at present. Starting in September 2009, CBS Home Entertainment (distributed by Paramount) has to date released the first ten seasons on DVD in Region 1. All episodes have been digitally remastered from original 35mm film elements to yield the best picture and sound quality possible with current technology. CBSHE has released each season in two-volume sets (available together and separately). Each and every set contains exclusive multiple and rare bonus features, more than any other vintage long-running television series released on DVD. Classic series collections usually have bonus features included with the first season release only, if at all. [ citation needed] In Region 2, AL! VE AG released the first seven seasons on DVD in Germany between 2008–2010. These releases are now out of print as AL! VE has lost the rights. In 2011, StudioCanal acquired the rights to the series and have begun re-releasing it on DVD, and all seasons have now been released but have not been remastered. Episodes of the series have also been officially released as part-works on DVD in France and the United Kingdom. Bonanza "the official first season" was released in Scandinavia during 2010. The first season is released in 4 volumes. The first two volumes were released on October 20, 2010, and the second two volumes on April 27, 2011. Region 1 DVD name Ep # Release date The Official 1st Season, Vol. 1 16 September 15, 2009 [40] The Official 1st Season, Vol. 2 September 15, 2009 The Official 2nd Season, Vol. 1 18 December 7, 2010 [41] The Official 2nd Season, Vol. 2 October 11, 2011 [42] The Official 3rd Season, Vol. 1 July 17, 2012 The Official 3rd Season, Vol. 2 The Official 4th Season, Vol. 1 October 2, 2012 The Official 4th Season, Vol. 2 The Official 5th Season, Vol. 1 February 12, 2013 The Official 5th Season, Vol. 2 The Official 6th Season, Vol. 1 July 9, 2013 The Official 6th Season, Vol. 2 The Official 7th Season, Vol. 1 15 September 2, 2014 The Official 7th Season, Vol. 2 The Official 8th Season, Vol. 1 June 2, 2015 The Official 8th Season, Vol. 2 The Official 9th Season, Vol. 1 May 7, 2019 The Official 9th Season, Vol. 2 The Official 10th Season, Vol. 1 December 17, 2019 The Official 10th Season, Vol. 2 Region 2 Season Release dates Germany Scandinavia Season 1 December 8, 2011 December 20, 2010 April 27, 2011 Season 2 February 16, 2012 No release of seasons 2-14 Season 3 April 19, 2012 Season 4 June 21, 2012 Season 5 August 23, 2012 Season 6 October 18, 2012 Season 7 November 1, 2012 Seasons 1–7 December 6, 2012 Season 8 January 24, 2013 [43] Season 9 February 21, 2013 [44] Season 10 April 18, 2013 [45] Season 11 June 6, 2013 Season 12 August 1, 2013 Season 13 October 2, 2013 Season 14 November 21, 2013 Seasons 8-14 December 5, 2013 Region 4 32 November 2, 2011 34 February 8, 2012 May 9, 2012 October 3, 2012 January 15, 2014 February 10, 2016 33 May 4, 2016 Legacy [ edit] Ben Cartwright (Lorne Greene) on an elephant. The film Twin Town alludes to and parodies Bonanza. Some of the central characters are members of a Cartwright family, and live in a home called Ponderosa. [46] The 1969 German school comedy Hurra, die Schule brennt! features its co-star Peter Alexander wearing a duplicate of Ben Cartwright's outfit and singing a cover version of the Bonanza theme at a school play originally meant to be a dramatization of Schiller's William Tell. [ citation needed] In American Desperado, co-authored by Jon Roberts (né John Riccobono) and award-winning journalist/author Evan Wright, Roberts shares in Chapter 3 that he missed his " Sea Hunt and Bonanza, [his] favorite TV shows", when his mother sent him to Palermo to live with his father, Nat Riccobono. Roberts confides in the book that Riccobono – a mobster and illegal alien - had been deported to Sicily following the Apalachin Meeting. After returning to the United States "after a few weeks", Roberts found that, "Watching Bonanza on TV was one thing I had in common with normal kids. [... ] But when I listened to how other people talked about Bonanza, I was amazed. ] My way of seeing it was different. To me the Cartwrights had the might and power, and they used it to take over all that land on their Ponderosa ranch. ] From the way I saw it, the Cartwrights were the same as my father and uncles in the Mafia. They understood force. " Roberts further discloses that, upon his return to the United States: "Because of all the stories in the news about my family, Riccobono was a bad name. My mother told me I had to change my last name. I changed my name to John Pernell Roberts, after Pernell Roberts, who played the oldest son on Bonanza. I liked him best because he wore black. His hat, his vest, his gun belt were all black. He was the top enforcer for the family. He was the kind of guy I wanted to be. I wanted to steal my own Ponderosa when I grew up. " [47] Roberts repeats this explanation for his name change in other media, as well, such as the documentary Cocaine Cowboys. On the first season of Law & Order: Criminal Intent, episode "Homo Homini Lupus", Detective Robert Goren is able to catch and arrest Simon Matic, a former Serbian soldier wanted for extortion and rape by calling Matic's cellphone after following him into a crowded restaurant. His victim had told Goren that his ringtone was the theme to Bonanza. Matic also goes by the name of "Little Joe. " [48] The couch gag for an episode of The Simpsons, titled " We're on the Road to D'ohwhere ", is a parody of the show's title sequence featuring a map of Springfield burning to reveal the Simpson family riding toward the camera. [ citation needed] In the TV series The Golden Girls, an episode titled "Wham, Bam, Thank You, Mammy", Blanche ( Rue McClanahan) gives her former nanny, Viola Watkins, a music box and she opens it and the Bonanza theme song plays, to which Blanche says "The Theme from Bonanza". [ citation needed] In the TV series Blossom ' s episode "The Departure", Joey ( Joey Lawrence) asks if Little Joe, Hoss, and Hop Sing have their own islands. [ citation needed] Some resources [ which? ] suggest that Ben Cartwright was the basis for Jeff Tracy and that the Tracy family as a whole was based on the Cartwrights in Gerry Anderson 's Supermarionation series Thunderbirds. [ citation needed] In the TV series Maverick episode "Three Queens Full" Bart ( Jack Kelly) is blackmailed by Joe Wheelwright ( Jim Backus), owner of the Subrosa ranch, into escorting mail order brides for Wheelwright's three sons Aaron, Moose and Small Paul. [49] The German Western comedy Der Schuh des Manitu borrows the name of the Ponderosa Ranch for a beauty ranch named "Puderosa" (engl. : "Powderosa"). [ citation needed] In the 1987 Barry Levinson film Tin Men, aluminum siding salesman Sam ( Jackie Gayle) regales his siding sales buddies on Mondays with comments on the previous night's Bonanza episode. In a January 1998 episode (# 15) of 3rd Rock from the Sun, characters Dick, Tommy, and Harry are driving west to rescue Sally somewhere near the impending Super Bowl in San Diego. A shot of a USA map burns from a single point as does the map in the Bonanza opening sequence. See also [ edit] 1959 in television References [ edit] ^ "Bonanza Opening Theme". YouTube: SantoVaquero. 16 October 2011. ^ a b c "Bonanza Credits / Worldvision Enterprises". YouTube: Credits Archive. 19 December 2014. ^ "Bonanza". CBS Television Distribution. 2015. ^ "Bonanza Television Show - ONE".. ^ "Bonanza – Definition and More from the Free Merriam-Webster Dictionary".. Retrieved March 7, 2012. ^ "Bonanza Lyrics and Theme".. ^ "TV Guide Names Top 50 Shows".. Retrieved March 7, 2012. ^ Roush, Matt (February 25, 2013). "Showstoppers: The 60 Greatest Dramas of All Time". TV Guide. pp. 16–17. ^ a b c d Brooks, Tim, and Earle Marsh, The Complete Directory to Prime Time Network and Cable TV Shows, 1946-Present (Sixth Edition), New York: Ballantine Books, 1995, ISBN 0-345-39736-3, p. 123. ^ mentioned in first scene of first episode ^ Paulette Cohn (May 24, 2009). " Bonanza, a 1960s TV Show Ahead of the Times". American Profile. Retrieved May 20, 2016. ^ Bennett, Linda Greene (November 1, 2004). My Father's Voice: The Biography of Lorne Greene (Paperback ed. ). iUniverse, Inc. p. 254. ISBN 978-0-595-33283-0. ^ a b c d e Bonanza: A Viewer's Guide to a TV Legend, by David Greenland; R&G Productions ^ TV Guide Top 50 Dad's of All Time, by Raisley Gordon, TV Guide, 2007 ^ "The Philip Diedesheimer Story". Bonanza. October 31, 1959. ^ Bonanza: The Return. April 21, 1993. ^ a b Bonanza: Scenery of the Ponderosa, - Candy Canaday ^ Dick Kleiner, NEA, July 18, 1972 [ vague] ^ Michael Landon, The Tonight Show, March 19, 1982 ^ Episode No. 1, "Loletta", 1959. ^ Episode No. 95, "Inger My Love", 1963 ^ Bonanza, "Journey Remembered", episode #142, NBC-TV, 1964 ^ a b "Bonanza" four CD set biography notes, Bear Family Records ^ a b ^ Bonanza, "Sense of Duty", episode 271, September 24, 1967 ^ Bonanza, "Stage Door Johnnies", 7/28/68 ^ Michael Landon, "The Tonight Show", NBC-TV, March 10, 1983 ^ Western Writers of America (2010). "The Top 100 Western Songs". American Cowboy. Archived from the original on August 13, 2014. ^ "The Marty Stuart Show - Episode 56 - January 29, 2011". January 29, 2011. Retrieved June 28, 2014. ^ Schad, Jerry (2009). Los Angeles County: A Comprehensive Hiking Guide. Wilderness Press. Pages 35-36. ISBN 9780899976396. ^ Stone, Robert (2011). Day Hikes Around Ventura County. Day Hike Books. Page 216. ISBN 9781573420624. ^ Maxwell, Thomas J. (2000). Hiking In Wildwood Regional Park: Natural History, Folklore, and Trail Guide. California Lutheran University. Page 2. ^ As noted supra, Lorne Greene and Michael Landon were Jewish. ^ "Look to the Stars".. Retrieved December 18, 2011. ^ "Enter Thomas Bowers".. Retrieved December 18, 2011. ^ Mavis (September 17, 2009), Bonanza: The Official First Season, Volume 2 ^ "Bonanza: The Wish | Synopsis". March 9, 1969. Retrieved March 7, 2012. ^ "Hans G. Kresse".. ^ Bonanza Lost Episodes - Starts Monday Archived October 22, 2015, at the Wayback Machine at ^ "Bonanza DVD news: Box Art for Bonanza – The Official 1st Season, Volume 1 and Bonanza – The Official 1st Season, Volume 2". Archived from the original on May 17, 2012. Retrieved July 13, 2012. ^ "Bonanza DVD news: Announcement for Bonanza – The Official 2nd Season, Vol. 1". Archived from the original on January 23, 2012. Retrieved March 7, 2012. ^ "Bonanza DVD news: Announcement for Bonanza – The Official 2nd Season, Vol. 2". Archived from the original on April 29, 2012. Retrieved March 7, 2012. ^ "Bonanza – Die komplette 8. Staffel [9 DVDs]: Lorne Greene, Michael Landon, Dan Blocker, Ray Evans: Filme & TV". January 30, 2013. Retrieved February 16, 2013. ^ "Bonanza – Die komplette 9. December 13, 2012. Retrieved February 16, 2013. ^ "Bonanza – Die komplette 10. Staffel [8 DVDs]: Lorne Greene, Michael Landon, Dan Blocker, Victor Sen Yung: Filme & TV".. Retrieved February 16, 2013. ^ "Twin Town (1997): Connections".. Retrieved June 28, 2014. [ unreliable source? ] ^ Jon Roberts; Evan Wright (2011). American Desperado. Crown Publishing Group. ISBN 978-0-307-45042-5. ^ "Law & Order: Criminal Intent - Episode 14, March 3, 2002".. Retrieved October 20, 2014. [ unreliable source? ] ^ Brooks, Tim, and Marsh, Earle (2003). The Complete Directory to Prime Time Network and Cable TV Shows. New York: Ballantine Books. 755. ISBN 0-345-39736-3. Bibliography [ edit] Bonanza: A Viewers Guide to the TV Legend by David Greenland. 167 pages. Publisher: Crosslines Inc (June 1997). ISBN 978-0-9640338-2-5. A Reference Guide to Television's Bonanza: Episodes, Personnel, and Broadcast History by Bruce R. Leiby and Linda F. Leiby. 384 pages. Publisher: McFarland (March 1, 2005). ISBN 978-0-7864-2268-5. Bonanza: The Definitive Ponderosa Companion by Melany Shapiro. 176 pages. Publisher: Cyclone Books; illustrated edition (September 1997). ISBN 978-1-890723-18-7. External links [ edit] Bonanza on IMDb Bonanza on Bonanza at the Internet Archive Bonanza at the Encyclopedia of Television Bonanza at Bonanza: Scenery of The Ponderosa Bonanza Episode Guide at TV Gems Paul Mavis (September 15, 2009). "Bonanza: The Official First Season, Volume 1". v t e Nielsen Media Research top-rated United States network television show 1950s 50–51: Texaco Star Theater 51–52: Arthur Godfrey's Talent Scouts 52–53, 53–54, 54–55: I Love Lucy 55–56: The $64, 000 Question 56–57: I Love Lucy 57–58, 58–59, 59–60: Gunsmoke 1960s 60–61: Gunsmoke 61–62: Wagon Train 62–63, 63–64: The Beverly Hillbillies ( S1, S2) 64–65, 65–66, 66–67: Bonanza 67–68: The Andy Griffith Show (S8) 68–69, 69–70: Rowan & Martin's Laugh-In 1970s 70–71: Marcus Welby, M. D. 71–72, 72–73, 73–74, 74–75, 75–76: All in the Family ( S2, S3, S4, S5, S6) 76–77: Happy Days (S4) 77–78, 78–79: Laverne & Shirley ( S3, S4) 79–80: 60 Minutes 1980s 80–81, 81–82: Dallas ( S4, S5) 82–83: 60 Minutes 83–84: Dallas (S7) 84–85: Dynasty 85–86, 86–87, 87–88, 88–89: The Cosby Show ( S2, S3, S4, S5) 89–90: Roseanne (S2) / The Cosby Show (S6) 1990s 90–91: Cheers (S9) 91–92, 92–93, 93–94: 60 Minutes 94–95: Seinfeld (S6) 95–96, 96–97: ER ( S2, S3) 97–98: Seinfeld (S9) 98–99: ER (S5) 99–2000: Who Wants to Be a Millionaire 2000s 00–01: Survivor (S2-AO) 01–02: Friends (S8) 02–03, 03–04, 04–05, : CSI: Crime Scene Investigation ( S3, S4, S5) 05–06, 06–07, 07–08, 08–09, 09–10: American Idol ( S5, S6, S7, S8, S9) 2010s 10–11: American Idol (S10) 11–12: NBC Sunday Night Football 12–13: NCIS (S10) 13–14, 14–15, 15–16, 16–17: NBC Sunday Night Football 17–18: The Big Bang Theory (S11) 18–19: NBC Sunday Night Football.

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(Publish your story on Wattpad so we can read it! ) "I'm a fan of DnD / Harry Potter / Percy Jackson / etc. " This is a really good excuse for some things like magickal tools, sigils, spells, tarot cards, runes, and researching pantheons. DnD (Dungeons & Dragons) can cover basically anything as long as you say "it's for my character/campaign". There is even a DnD "tarot" deck ( Curse of Strahd Tarokka) which you can use to divine (you can use it as an oracle deck) Ty u/PumpkinSpiceAngel for submitting this tip. If you play something like a druid you can ask your DM to incorporate divination into your character's practices, like rune casting and tarot reading. Harry Potter can cover things like wands, cauldrons, and divination (tasseography/chiromancy/crystal ball scrying). A lot of Harry Potter merch can double up as witchy tools. For example, this cauldron, and these wands. Percy Jackson fans have a great excuse to research the greek and roman pantheons. Other fandoms like The Mortal Instruments make good excuses for drawing sigils. The only drawback of this excuse is that super conservative Christians ban things like DnD and Harry Potter, but it's rare when this happens. "It's for a school project. " This excuse is aimed at younger witches who are in school. If you're caught researching something on Wicca or the occult, you can say "it's for my religious studies class at school" or something. Say you are writing an essay or a dissertation. This can also work for anything artsy and crafty you might do (e. g. clay sculpting, making a pretty BoS, drawing sigils), you can just say it's for your art class. "I'm practising mindfulness. " Some schools, colleges, and workplaces offer courses on "mindfulness" as a way of handling stress, especially around exams. When you get down to it, mindfulness is basically just meditation, grounding, and centring! Mindfulness is recommended by the NHS, and the National Institute for Health and Care Excellence (NICE) for improving mental health and well-being. So now you have a brilliant excuse for meditation and grounding & centring techniques. "I'm learning to cook. " Kitchen witchery is a brilliant practice for broom closet witches. It is quite simply the act of using magick and ingredients to make spells in the form of food and cuisine. Instead of having an athame, dedicate a kitchen knife to your magickal workings. Do the same with a cooking pot instead of a cauldron, and a wooden spoon instead of a wand. Turn the whole kitchen into a disguised altar; this will encourage you to respect it and keep it tidy to maintain the necessary magickal energy. Also related to this is tea. Teas are a great way to incorporate subtle herbal magick into everyday life. Go to your local shop/farmers' market and buy some different blends. You can often find teas containing herbs that are regularly used in witchcraft. "I want to exercise more. " Sometimes the simplest way to practice witchcraft is to just go outside and get out in nature. If you can't find the excuse to do this, just say you want to go for a run, take up hiking, or grab a breath of fresh air. Perhaps make a dedication to go on a morning walk everyday, and on this walk just concentrate on your surroundings and notice the God and Goddess in everything you see. Observe the changing of the seasons, leave yourself open to signs and messages from the universe, or make yourself a nature altar and worship at it periodically. If you don't have a good nature-y place to have a walk, then consider walking around a cemetery/graveyard, or your local park. Personally I find that cemeteries have a certain kind of peaceful and nature-y energy about them, and they're often quiet too. Even if you don't have a nature place nearby, just walking around a town or city can be a grounding and rewarding experience. Observing the bustle of people, the plethora of sights, sounds, and smells, and spotting the subtle signs of nature is still a more-than-adequate way to contribute to your magickal practices. "I'm studying psychology. " If you view witchcraft from a psychological point of view, this can definitely help you with research and practices without looking like a loony in front of your family. A lot of occultists research Carl Jung, as he was influenced by and contributed a lot to occult practices, especially Shadow magick. Also look into things like the placebo effect, and some stuff by Sigmund Freud. A lot of his work can be compared to concepts like the kundalini and teachings from the kabbalah. Michael Kraig's Modern Magick mentions Freud a lot. I recommend visiting r/SASSWitches for more witchcraft from a psychological perspective. "I want to look after the planet / I'm an environmentalist. " I mean you're a witch so you probably care about the environment regardless, but you can definitely use this as an excuse to re-use food jars, grow herbs, look after houseplants, and things like that. Also, donate to charities & food banks, do beach cleanups, plant trees, or volunteer at animal shelters as a service to the God and Goddess. Being a pagan or a witch doesn't mean just praying to your deities and casting spells; it's a lifestyle, and everything you do should further your faith and practices. There are some more ideas here. "Art / Poetry / Music / Crafting / Gardening / etc is my hobby. " Take up painting or another form of visual art as a hobby. Hide sigils in the artwork. Take up jewellery making. Get beads made of real crystals, miniature glass bottles, jewellery pliers, jewellery chains and clasps, jewellery wire, etc. Make necklaces with specific energies and even a luck charm for yourself. Write poems and use them as spells. If you play an instrument, write some witchy/spiritual music. Learn to knit/sew and make bracelets, poppets, sachets, tarot sleeves, and charm bags. You can incorporate knot magick, colour correspondences, weave in witchy symbols, attach embellishments, and charge the items with intent as you craft them. You can give your crafts away as gifts. If you're a green witch then definitely do gardening or horticulture. These hobbies are a little more obscure but take up wood-turning or black smithing. Make your own wands, deity figurines, runes, athames, cauldrons, jewellery. Learn corncraft, the art of making things out of corn. This is a good excuse for making Bridget crosses and corn dollies. There are a few more ideas here. "I have a passion for science / astrophysics / cosmology / geology / geometry / botany / etc. " This is a good excuse for getting into astrology, tracking moon phases, collecting crystals, growing herbs, and anything like that. Working out natal charts actually uses a fair amount of maths, and if you're looking up the correspondences of different planets and moon phases you can easily play it off as you're one of those space nerds. Also the universe is freaking awesome so there's that. I highly recommend downloading the free open-source program "Stellarium" for tracking movements of the stars and planets. You can track retrogrades in real time it's actually really cool. If you love crystals you can say you really like geology, I'd recommend looking up what compounds make up different crystals and things like that to make this excuse more authentic (also learning is fun! ) If you're a green witch I'd recommend getting into botany, the study of plants. Learn to identify local and indigenous specimens and their correspondences.

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Once I catch up, new parts will be posted on HFY and RedditSerials, alongside my main subreddit as they become available. Thank you for reading, and enjoy.................................... ( Previous Part) ( Part 001)... After the messy confrontation with his fellow Emperors, Satan slips away to his private chambers. Solomon and I follow after him, and the Archangels come along for the ride as well. "It seems Satan's having some issues, " I say, as I try and make small talk. "Indeed. The snake's greed returned to bite him in the heel, " Solomon replies. "In the beginning, Satan wanted power at any cost. Only after losing two thousand years with his lover did the Devil realize such ways were self-destructive. In the end, one must reap what they've sown. " I shoot a glance at Solomon. His face betrays no emotion, but a question appears in my mind. Wise words, or empty platitudes? Solomon is the Knowledge-Seeker. However, that doesn't mean he's right about everything. What he sees as a greedy power-play by Satan could also be interpreted as his way of protecting his ass. After all, in the beginning, Satan possessed no special abilities, unlike Lucifer and the others. He was vulnerable to the machinations of his fellow demons. Tricking the others might not have been the polite way to go about securing his safety, but he didn't use his power to hurt them, either. He only prevented them from spreading his guts all over the floor. Later, he found out about the side-effects of his Blood Contracts, and sought to have other demons sign his scrolls. But, despite that choice, he didn't murder them and take their abilities. If anything, I'd say Satan's use of his Blood Contracts was... resourceful? He turned dead demons into power for himself. He recycled their souls into magical abilities for himself. After all, if a demon died, their power would be lost forever, but inside of Satan, they would still be able to fight for their people. I'm sure there were many human generals who'd have offered their lives for the good of humanity if they could accomplish something similar. Honestly, when I put Satan's actions in practical terms, it's hard to find fault with him. He may have been self-serving, but compared to what the angels did to the demons, he's a friggin' saint.... Satan enters his chamber. We follow behind him, and the first thing I notice is the lavish bed placed against the opposite wall. Tiger and bearskins line the floor and provide cover for the cozy-looking leather mattress. Their soft fur appears comfortable and inviting. A few candles in each of the corners light up the room, but what catches my attention next startles me. Dozens of little wooden animals, carved with love and care, sit on pedestals, in holes cut into the walls, and atop the bed's headboard. The nearest one, a roaring tiger pawing at the sky, features etchings for the tiger's stripes, and each of his tiny little individual claws stands apart from the others. Even without any paint adding color to the five-inch animal, I can make out intricate details that would cause a seasoned artisan to blush. My eyes flick to the bed. Belial, wearing as little as ever, sprawls out on the covers. Her knife-fingers rapidly whittle and cut apart a chunk of wood in her hand as she molds it into the shape of an eagle. Satan barely acknowledges her presence. He sighs as he enters the room, walks over, and plunks his butt on the corner of the bed. "Haah... " Belial pauses to stare at him. She smiles cheerfully, but a hint of worry creeps into her voice. "Welcome back, lover! How was your day? " Satan shrugs. "The same as ever. Hey, I thought I told you not to trim your sticks on the bed. You're getting wood chips everywhere. " ".. Sorry. I was just so busy daydreaming about what it would be like to fly. I forgot what I was doing! " Belial's voice perks up, but her tone sounds forced. I watch Belial's luminous red eyes. She stares at Satan's back, only to follow his gaze behind me, to the corner at the right of the entrance. I mimic her and flinch in surprise as I spot a massive crystal resting against the wall. The transparent gemstone, with its appearance of a gigantic diamond, holds a curious sight. Nerissa's body. The succubus, still deceased, rests inside the crystal. Despite how she skewered herself with an icicle, her figure appears to be in perfect condition — Belial's handiwork, most likely. Based on the faded color of her skin, she's as lifeless as the last time I saw her. Satan stares at Nerissa's pale, nude body for several long seconds. "I... " Belial perks up. "Hmm? " Satan shakes his head. "Never mind. " An awkward silence follows. Belial watches the back of Satan's head, then nods, almost as if she's made up her mind about something. She drops her carving on the bed, reverts her knife-fingers to normal, and slinks up behind Satan. The succubus wraps her arms around him and nibbles on his ear. "Heyyy, what's wrong, love? Did something happen? " Satan exhales. "Well... yes and no. Some drama involving Lucifer. She won't get off my back again. " "Uh-huh. What else? " Belial pokes Satan further. As she kneads his shoulders, Satan's hardened heart weakens. "... I finished the last Blood Contract today. " "Ooh! " Belial's eyes sparkle with delight. "That's wonderful news! " Satan licks his lips. "Right. I finally cleared the last Soul Contract. But... I... I didn't find another demon like Valac. Nobody else possessed similar abilities to him. " Belial's fingers slow to a crawl. "You mean... another Reanimator-type? " "Mmm. " Belial sags against Satan's body. She rests her chin on his shoulder and stares ahead at her sister's body. A look of defeat passes over her face. "I told you it was pointless. You have to let go of the past, Satan. Nerissa died. She can't come back. " Satan's lip trembles. "But... " "I know you loved her, " Belial whispers. "I did, too. I still do. It doesn't matter. The past is the past. My sister would want you to move on. She'd want you to be happy. " Satan lowers his gaze to the floor. without her... " With an exasperated sigh, Belial pulls away from Satan and flops back on the bed. ".., I don't know what to say. I'm trying my best, you know. I'm trying to carry out my sister's wishes... but you're making things hard on me. " Satan turns his head to stare at the succubus. "What do you want from me, Belial? Do you want me to give up on Nerissa? Would you prefer for me to stop looking for a way to save her? If Valac can bring back the dead, then that means it must be possible for someone else to do it, too. I can't give up until I've exhausted every possibility. " Belial purses her lips. "You checked the powers of everyone who signed your Blood Contracts. Even if you intend to continue searching for a reanimator.. you could look for centuries and still not find one as talented as Valac. What then? Will you continue chasing after a dream forever? Will you forsake the rest of us? " Satan averts his gaze. He twiddles his thumbs for a moment before replying. "It's just... I screwed up everything, you know? Because of me, Valac enslaved and tortured Nerissa. She suffered because I wasn't there to protect her. Not only that, but I screwed things up when I returned. I killed Valac and upset the balance of power. Even if I don't regret killing him on principle, my actions screwed up the world again. My contracts nearly got everyone killed. " Satan hesitates for a moment. "Everything I touch falls apart. I'm a failure as a demon... and as a leader, too. If I can bring Nerissa back... if I can fix one thing without ruining something else... " Satan falls silent. Belial mirrors him. The succubus flops back on her pillow and stares up at the ceiling. A minute passes. Two. Three. "You're not a failure, Satan, " Belial says. "Nerissa was nearly as powerful as Lucifer. She knew how to handle herself. You shouldn't place the onus on yourself, as if it were your job to protect her. Raphael tortured you in the Cosmic Realm. Should Nerissa have blamed herself for not saving you? " Satan shifts his sitting position slightly. "Of course not. I was the pants in the relationship. It was my job to protect her. " Belial appears unconvinced. "I thought you said you didn't even know how Valac died? How could you have protected Nerissa if you weren't a match for the Grim Reaper? Bael did most of the heavy lifting during your battle, assuming you were telling the truth. " Sweat slides down Satan's neck. "Ah... yeah. I suppose you're right. " He swallows audibly. "Dwelling on my actions won't change anything. What matters is the future. I can't afford to lose focus. " The Devil's expression turns grim, but Belial licks her lips playfully. While Satan broods in silence, Belial slowly stretches her arm across the bed and begins climbing his back with her fingers. "You've had a long day, love. Come to bed. Now that you've scrubbed all those pesky contracts, I think it's time for a celebration. Don't you? " Satan flicks his gaze toward Belial. "Hm? " The succubus nestles against the bed and presses her body against the tigerskin covers seductively. "Come on. I'm ready and waiting. " "I don't know what you see in me, " Satan says with a sigh. "A moderately attractive demon, one my sister loved deeply. If Nerissa cared about you as much as she said, then I'd like to pick up where she left off. Isn't that good enough? " Satan raises an eyebrow. "What, so you only like me out of duty? Am I just an obligation for you? " Belial wriggles uncomfortably. "Ohhh, you always do this to me! Stop asking questions, you turd. Get over here and treat me like a woman already. I'm a succubus. I need relief! " For the first time since he arrived, Satan smiles. "Well, if it's like that... I wouldn't want to shirk my duty, either. If you need a good plowing... " "Good grief, " Belial replies, rolling her eyes. "You really know how to charm a lady. " "Sorry, sorry, " Satan says, as his smile expands into a grin. He slides across the bed with his Vectors and plops beside Belial. "I'll stop moping around. " Satan leans forward to kiss Belial, but as he wraps his arms around her and pulls her close, she pulls away for a moment. "Wait. Tell me you love me. " "Pardon? " "You heard me. Do it. " Satan's expression turns to one of confusion. "I, err, why? I mean... you and I... we're only... " "We sleep together every night, " Belial says. "Do you want me around or not? " "You're sending mixed signals, " Satan says. "Weren't we just about to...? " "We are still, but I want an answer first, " Belial says. Her face turns stern. Despite Satan's arms pressing her soft, voluptuous body against his, she keeps her head several inches away so she can gaze into his eyes. "What am I to you? " The Devil doesn't pull away. His eyes meet hers. They stare at each other in a way that makes me feel uncomfortable watching them as an outside observer. This moment is supposed to be private, something I shouldn't see. Nevertheless, I can't look away. Satan's voice catches. well... if something were to happen to you... I'd feel the same way I did when I lost Nerissa. " "So, you feel the same way about me as you did her? " "No. Our relationship is... it's different. You've been there for me, despite everything that's happened. You and Nerissa couldn't be more different... but... at the same time... " Belial bats her eyes. "Alright. You don't have to say anything else. I know I'm acting difficult. Now that you've finished your work on the contracts... I wanted to gauge where our relationship was. " Belial leans her head forward and nestles it under Satan's chin. "What if you... you do bring my sister back? Will you... leave me... for her? " Satan chuckles wryly. "Heh. " The Devil shakes his head. "Not a chance. There's room in my heart for both of you. I'll never abandon anyone ever again. Not you, not Nerissa... nobody. " Like a dam bursting under pressure, Belial pulls her head back and beams sunshine at Satan. "Oh, gosh! You're making me blush!! Put out the lights already, you big dope. " Satan snorts. "I'm on it. " The Devil snaps his fingers, and the candles in the corners extinguish. The room turns pitch-black, and both of them begin to giggle like children. The serious mood melts away far faster than I expected, and within a minute or two, the sounds of grunting and moaning begin to fill the room. I look away and nudge Solomon. I think I've, err, seen enough. " Solomon turns and stares me right in the eye. "No. Wait for it. " "Uhh... wait for... wait for what? I'm pretty sure I don't need to see what comes next. " Solomon nods. "Yes. You do. " He returns to gazing at the bed in the darkness. Belial's moans increase in intensity. "Oh, devils! Yes! I love your Vectors! Put one in my- ahhnn! " Nervously, I flick my gaze between the bed and Solomon's glowing figure. As the two demons build to a crescendo, a jarring realization hits me like a bullet through the brain. Solomon is a fucking voyeur. Son of a bitch. All his past actions make sense now. He used to watch Phoebe and me from his Crown until I stuffed him in the magical drawer beside our bed. Thanks to the Crown's infinite storage capacity, Solomon can rewatch the hottest hits from anyone's memories over and over. Not to mention even when I stuffed the Crown in a sealed dresser drawer, Solomon continued to download my private memories when I put the crown on the next day. Solomon, you sick son of a- "I'm not a voyeur, " Solomon says, as he reads my thoughts. "Stop letting your imagination run wild. You're starting to creep me out. " "Me, creep YOU out?! We're literally watching two demons-" "I'm not here to enjoy the show, " Solomon says, cutting me off. "I'm here so we can observe a turning point in Satan's life. Ah, speaking of the devil. She's here. " As Satan goes in for a particularly deep thrust, a female voice, one not belonging to Belial, speaks in the darkness. " Am I interrupting anything? " Satan and Belial stop mid-thrust and yelp in surprise. "What the- who's peeping?! This room is private, you filthy-" The Devil snaps his fingers to ignite the candles in the room, revealing himself and Belial buck-naked, both of them drenched in sweat and... other fluids. At the foot of their bed, a familiar demoness, dressed all in black, stands quietly and stares at them. Her onyx-colored eyes gaze at the two lovers from beneath her hood. She rests her arms on her hips and stares at Satan and Belial with a judgmental attitude. "I'm sooo sorry to interrupt, " Berith says, sarcasm hissing through her teeth. "Something urgent came up. I need to speak to you. " Belial blushes. "If you wanted to join us, you could have just asked. I'm fine with threesomes. " Berith's expression flattens. I'd sooner cast myself into a roaring volcano. " Satan's jaw drops as he glares at the shadow-walker. "Cripes, Berith! You could have waited until the morning! " Berith cocks her head. "Hm. Probably. Oh, well. I'm here now, so let's get right to the point. I wish to speak to you about becoming the First Emperor. " "Huh? " Satan blinks in surprise. "I'm not even interested. You can have the title if you want it. " Berith hisses. "I wasn't offering you the position, you damned dolt. I want it myself. I came here to ask for your support. I can muster the backing of many of Valac's former demons, but Lucifer's minions don't respect me. However, a noteworthy portion of her followers admires you. If I were to receive your endorsement, I would have the backing needed to take control of demonkind. " Belial crosses her arms over her exposed breasts. "Sheesh. You could try asking a little nicer. " Berith snarls at her. "Quiet, succubus whore. The grown-ups are talking. " "Whoa! Whoa! " Satan pounces out of bed, aided by his Vectors. He lands on the floor and raises to his full height, two inches shorter than the Emperor of Backstabbing. "Don't you dare speak to my girl like that! First, you barged in on us, then you insulted us, and now you expect me to do you a solid? I'm not one to smack a bitch, but you're pushing your luck. " Berith's upper lip curls in disgust. "You worry too much about pretty words. That's what I hate about the people on Lucifer's side. You're all soft and weak, not like Valac. " Satan's temper starts to flare, but Berith holds up a finger. "I didn't come here to ask without giving something of equal value in return. I need your endorsement to become First Emperor. Tell me what you want, and I will find some way to give you whatever you need. An equal trade. " Satan stares at Berith for several seconds. Then, he lowers his Vectors and begins to chuckle. "Hehe... you... you want to... to give me something? Hehehe... that's funny. You're funny. I never took you for a jokester. " Berith doesn't smile. "I'm dead serious. He gestures toward Nerissa's crystal in the corner. "Fine. Fine. If you want my support, then help me bring Nerissa back. If you can do that, I'll vouch for you. If you can't, then piss off. I ain't giving you anything but a knuckle sandwich, otherwise. " Belial punches her palm. "Yeah! What he said! " Berith lowers her pitch-black eyes. She stares at Satan contemplatively as she searches her mind for an answer. "Mmm. I worked alongside Valac on many occasions. I know many of the intricacies of his powers. One thing is for certain; the only way to bring someone back from the dead is if you were to somehow come into possession of their soul. Valac's lantern served as his receptacle for souls. If, during Nerissa's death, you somehow happened to obtain her soul before it entered the Great Beyond... " Berith trails off. She stares at Satan, as if waiting for an answer. Satan returns her gaze. "Huh? So, are you saying I can't bring my girl back unless I have her soul? There's no other way? " Berith shakes her head. "Valac was quite clear about that. He would often take the souls of those he disliked and place them in the bodies of their enemies. A peculiar past-time, but one of the few hobbies from which he drew pleasure. As long as you have a person's soul, you might be able to bring them back. Since you have Nerissa's body, you already have half of the components needed to return her to the realm of the living. " Berith splays her fingers out and makes a sweeping gesture with her hands. "However, based on your expression, I assume you've nothing left of her soul. " Satan shakes his head slowly. "No... I don't. Son of a... are you kidding? That's it? She's gone? For good?! " Berith shrugs. "Most likely. In any case, since I cannot help you bring the ice queen back, perhaps there is something else I could do to obtain your support? " Despite how effortlessly the shadow-walker switches topics back to herself and what she wants, Satan's eyes glaze over. He falls back onto the bed and stares at Nerissa's crystal numbly. "Gone... for good... " Belial stares at Satan's back. "Lover... " Satan's shoulders sag as thoughts run through his head. When Samael speaks inside the Devil's mind, I hear the Archangel's voice, projected via Solomon's Crown. Satan. I'm sure thou knoweth this already, but it bears mentioning. Ye signed a Blood Contract with the ice succubus. I have seen its form in thy mind. However, when she died, her soul did not appear in thy grasp like the others who signed. I know not why this is the case, but some treachery was surely at work. Satan nods, but he doesn't reply. Speaking to Samael in front of others must still be a no-no for him. Samael continues. "However... perhaps, given how thou tooketh the souls of Titans after crushing their heads, such a brutal action might bear results. Shoulds't ye remove the crystal protecting her body, ye might be able to crush Nerissa's head and obtain her soul. I believe it is a course of action worth attempting. " Satan slides his hand up his chest and presses it against his heart. His eyes waver slightly. "Yeah... that... that might work... " Berith hisses at Satan. "Kss. What are you babbling about now? Are you going to answer my question, or am I wasting my time, here? Surely, there must be something I can do to-" Suddenly, Satan jumps to his feet. His sudden movement surprises Berith and makes her pause. "Quiet, " Satan mutters. "Belial. I've... I've just thought of something. I can take the souls of anyone's head I crush. I'm going to... to try it on Nerissa. " His words, slow and measured, make Belial blink in surprise. "You're going to... TO WHAT?! " "You heard me. I'm going to crush your sister's head. Once I have her soul, I can revive her. " Belial balks. "No way! Satan, that's awful! What are you thinking?! " Satan wets his lips. He flicks his gaze toward Berith for a moment, then turns to face Belial. "I would never consider it under any other circumstance. However, if Berith is right, then once we have her soul, we can-" "We can't do anything! " Belial yells. She jumps to her feet and stands in the middle of the bed. "Have you forgotten?? We don't have a way to revive my sister, even if you do obtain her soul! No, more importantly, if you take such an extreme measure, I can't heal her body afterward! My powers won't allow me to regenerate brain damage! " Satan's jaw slackens. "They won't? " "I've told you this before! Sweet mercy, I can't believe you'd even consider doing something so horrible to my sister! I'd rather bury and leave her to rest in peace than defile her in such a manner. " Satan's excitement disappears. "Oh. So... so it's like that, then. " The Devil sighs long and hard. His breath comes out in a drawn-out gasp for pity. "Aaooo... fuck. I thought, for a moment, we might've had something... some way... Berith's gaze flicks between both demons. After several seconds, she crosses her arms. "I've played all my cards, and they weren't good enough. Well, don't say I never did anything for you. If you decide to support me, my offer still stands. I must become the First Emperor. Our people need to take decisive action against the angels, once and for all. " The demoness's words ring hollow in Satan's ears. He barely acknowledges anything she says. people... angels... uh-huh... " With a groan, Berith turns on her heel. "Tch. Not even a word of thanks. Such is the way of pond-suckers and low-intellect louts. " She turns to walk toward the door, but Satan raises his head. Hold on. Berith! " Berith pauses. She doesn't turn to look at Satan. " What. " "There's... there's no other way? Nothing at all? Surely, there must be something we can do! There has to be a way to bring Nerissa back! " Silence ensues. Berith stares outside of the room for several, long, agonizing seconds. "Devils. To think you're still this persistent. Calling you 'clingy' would hardly be the start of an adequate insult. Though... now that I think about it... " Berith turns to look at Satan. She taps her finger against her lips, swirling the smoky dark energy surrounding her face in circles. "Hmm. Valac mentioned something, once. A theory. He told me it wasn't more than a hunch, and he never bothered to investigate it. " Satan leans forward. "What was it? What theory? " His eyes widen as he breathlessly awaits Berith's next words. Well, as I said before, Valac captured souls via his scythe and stored them inside his lantern. In your case, it seems crushing someone's head will give you their soul. However, if either of you should miss your chance, the soul would travel to the Great Beyond. Once there, reclaiming it would be virtually impossible. " Belial, still standing on the bed, stiffens at Berith's words. "V-virtually? So... you're saying there's a chance...? " "Possibly. However, Valac said it would take a monumental amount of mana to reclaim a lost soul from the Great Beyond. I believe the phrase he used was, 'More than all of demonkind, angelkind, and Titankind's collective mana reserves combined. ' So, it would be essentially impossible. " Berith watches Satan's face as she speaks. When a look of realization and hopelessness hits him, the shadow-walker chuckles wryly. "What's the matter? Not what you wanted to hear? Has reality set in, yet, or are you going to continue fantasizing about that succubus for the rest of eternity? " Satan scowls at her. "That's my business, not yours. Shit. I still had a sliver of hope before... but now... you've taken even that away from me. " "Hahaha! " Berith cackles. "Well, you haven't done me any favors either, Satan. Let me know when you're ready to talk business. Otherwise, I'll pretend this embarrassing conversation never happened. " Berith's lips curl upward in disgust. After a moment, she spins on her heel and storms out of the room, leaving Satan and Belial alone with their thoughts.... Satan presses his face against his hands. "Dammit... damn. Damn, damn, damn. That fucking... stupid... shadow-walking piece of... " Belial drops to her knees and slides across the bed. She wraps her arms around Satan and presses herself against his back. I'm sorry, love. I thought after our discussion earlier that things would improve, but now... " Grief takes Satan. His chest shakes as he tries to stop himself from sobbing. He presses his hands against his eyes. "Chrrr... it's useless after all! I can't do anything!! I failed again... I failed her... " Belial stays quiet. She gives Satan a minute to release his anger and sadness. He chokes and coughs as raw emotions come boiling to the surface. "Not fair... not fair... it's just not... " Satan pauses. He sniffles for a moment, then wipes his arm across his face. wait... it can't be. Was this... what I needed? " Satan raises his head. He stares at Nerissa's crystal for several seconds. His breath catches. "Son of a broodmother. Why didn't I think of it sooner? " Belial pulls away from him. "Huh? What are you talking about? " Satan's lip trembles. He rises to his feet and turns to point at Belial. "Put your clothes on. We're going to take a long walk. I just remembered... there's someone who might be able to help us. " Belial cocks her head. don't follow. Do you mean... Valac? " The corners of Satan's mouth tighten. He forces a smile and shakes his head. "Haha... no. Someone far, far more powerful than that boney bastard. Our progenitor. The one who gave demons their power. " Belial's eyes widen. but I thought you said-" "We weren't supposed to return there? I wanted to keep his existence a secret? That was in the past. Times have changed. If there's even a sliver of hope he can help us... " Samael speaks. "Satan. Who is this 'progenitor' you speak of? " The Devil's grin widens. As the candlelight flickers against his face, his expression says it all. "You'll find out, soon. I believe he's an acquaintance of yours. "Are you talking to your head-friend again? " "I am, " Satan replies. "He wants to know who our progenitor is. Let's keep it a secret, for now. " Belial nods. She slides off the bed and reaches for her tigerskin underwear. "Well, alright. If you insist. " Satan's Vectors snatch his deerskin pants and shirt off the floor. "I do. " While the two demons dress themselves, a strange feeling boils in my stomach. Worry. Satan and Belial intend to visit Leviathan, the dark dragon who granted his power to their people. The last time they saw him, he incited an uprising and genocide. Somehow, I think their second visit will turn out even worse than the first. Solomon closes his eyes. He motions with his hands, and the world around us fades to black. "We've almost arrived, " the Ancient King murmurs. He opens his eyes, and his hands tremble noticeably. " The War in Heaven. " Next Part.

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+1 οποιος πιστεύει ότι αυτή η ταινία θα σπάσει το ρεκόρ. It's the end of November and with 2019 coming to a close rather sooner than later I figure this would as good a moment as any to take a look at upcoming servants and meta shifts for the NA server. Since we do have access to our Clairvoyance EX on NA, why not make good use of it and see what options we'll have next year that we didn't have before? I started this mostly for myself to see what I want to roll for next, but I might as well share it, maybe some of you will find it useful. Most people will of course look at 2020 and mostly think about this being the year Skadi comes to NA. Unsurprisingly. If JP is anything to go by (and usually JP is everything to go by), Skadi will dominate the farming meta for the years to come. So of course she's being highlighted for good reason. But Skadi aside, there's quite some other new servants throughout the year (because of course there are) and some of them are very much worth the look. Besides that, I'll take a look at major events throughout the year and what to expect from them as well. So that of course means that this thread will be full of spoilers. If you don't like those, you're definitely in the wrong place. I will, however, not include every single event or change, stuff like 1/2 AP Campaigns, Hunting Quests, Anniversary Milestones and similar things are just not very interesting to discuss on the base of servants alone. I will focus on new servants, major events, last rateups for servants, stuff like that. Final disclaimer: While I tried to be thorough, I might have missed something, especially in terms of "last rateups". Do not solely rely on this to plan ahead but if you want a servant, check their availability by yourself please. You can do so, for instance, with the individual campaign pages on - like this (and yes, no Ishtar in 2020 at least I won't waste another 1100+ SQ on her this year without her showing up. ). So, without further ado, let's go through it, right? January We'll start the new year with the 2018 New Year Campaign Banner possibly minus some servants we already saw in Thanksgiving (Gilgamesh comes to mind). Besides lots of Tickets in the Shop and as a reward campaign, the summoning banner features lots of excellent servants, with Melt's second appearance and of course Hokusais release on NA. As good a time as any to spend your christmas money right away, if you're so inclined. This will also be Musashis last rateup for at least the coming two years, she didn't have a rateup again after this on JP, so if you missed her during Shimosa, this is your last chance. That aside, January will also see the DaVinci Rerun which is another unlimited lottery event only with Pieces and Monuments instead of Skill Gems. While that might be less attractive for many people, the event also includes Bones, Dust, Fangs and Proofs, which will make just as many people very very happy. Following DaVinci, we'll have Setsubon, so you better have a lot of 1-3* servants prepared, otherwise the Fatigue mechanic will be somewhat of a pain to deal with (though I'm told it's not as bad as it seems, really). February Either very late January or at the beginning of February, we'll have the Valentines Event, including the release of Semiramis. Also in February, the K'n'K Rerun will hit NA and give Masters their last chance to get the [Assassin Shiki Welfare]( (Assassin)), which you really don't want to miss. The event also sees the last rateup for Saber Shiki. She also didn't have another rateup on JP, so if you want here, now's the time. The same applies for Asagami Fujino, who has her one and only rateup during this event. She has never seen JP again. Other than that, February sees the Strengthening Quests Part VIII, which includes Strengthenings for Kiara (which will have a rateup soon after during the 12m DL Campaign at the end of February), Melt and several other servants. March March will start of with the Chaldea Boys Collection Summoning Campaign, which mostly focuses on Proto Arthur. It used to be his last rateup, but just recently he got another one on JP. We'll also see the Saber Wars Rerun in March, including, of course, the ever so delightful [Saber Lily Welfare]( (Lily)). A far less critical servant than, say, Assassin Shiki, but a Welfare nontheless - and you can never have enough of those, as the Drama around this years "Halloween Event" on JP without a welfare has shown. It's also the last chance to get MHX until late 2021, so while we know she'll return with Saber Wars II, she'll be a looooooooong way out. That aside, March is a relatively quiet month, a time for rest before April when the year really gets rolling. April April is when the Lostbelts and Chapter 2 finally hit NA, starting with the Anastasia Chapter release (assuming we don't count the Prelude this year, that is). While the Lostbelts are notorious for taking ages to be released, they are also known to be (mostly) excellent in writing, so that's something to look forward to. Naturally, with it we'll also get a host of new servants to enjoy. With the ever-loved Queen of Snow Anastasia - the Servant, this time, everyones favourite Goth-Kitty [Atalanta Alter]( (Alter)) and a new 3-star in Avicebron in the first Campaign and the massively oversized Ivan the Terrible (honestly, his battle sprite is Chonker - not quite Kingprotea size, but then again, what is? ) and another (sadly: story-locked) 3-star in Saliery in the second Banner. However, while this already is a massive release, it's by far not all that graces us in April. We'll also have the Journey to the West Rerun, which includes this year's first solo-rateup for every masters overwork main support Waver. We'll also see the release of Nezha, a solid 4-star AoE Lancer. Turns out, Nezha already joins us with Salem in a few days. My bad! All in all, April seems like a great month to spend some Quartz, but beware, the Skadi release is coming and it's coming fast. May Technically released at the end of April on JP, Inheritance of Glory happens mostly throughout May and with it comes another Welfare in Sieg, an Arts AoE Caster that can loop! Don't miss him! It's a Raid Event, so that's a nice change of pace. Moreover, the Summoning Campaign also sees the release of Achilles and Chiron, with the latter having his one and only rateup during it. If you want him, this is the time to roll for him. May will also see the Interlude Campaign 5 with skill upgrades for Scheherazade and Brynhildr and an NP Upgrade for Da Vinci. Lateron in May, we'll have the Murder at the KOGETSUKAN event containing the last known rateup for Sherlock Holmes (correction: he has a 1-day shared rateup with Skadi at 3rd anniversary. This is his last solo rateup). The Event is just a series of quests to enjoy moreso than something to grind and farm. That will be reserved for the GUDAGUDA Meiji Ishin Rerun, which includes NAs last chance of acquiring the Chacha Welfare servant. Again: far less crucial than Sieg is but hey, free servant is free servant, right? Finally, something that is surely going to break some hearts, May will have the last rateup for Okita for at least 2 years. She hasn't seen another rateup on JP since this, so if you need to dip into your Skadi Funds for her, I guess few people will blame you. And while we're at breaking hearts, the 13 Million Download Campaign will be the last chance to get the Summer Servants Lancer Tama, Archer Anne&Mary, Lancer Kiyohime and Surfer Mordred so... even more reason to throw around Quartz. Make sure to prioritize appropriately. June Real-world summer is here and since we apparently didn't have enough welfares in the last months June will have two more for you. The month will see the next GUDAGUDA which includes Sakamoto Ryoma as a Welfare and the release of [Okita Alter]( (Alter)) and the limited 3-star Okada Izo. Yes, he's limited, indeed. Not even story locked. Also, speaking of summer, the Dead Heat Summer Race Rerun with Rider Ishtar Welfare also happens in June. It also happens to be the last chance to get a lot of the summer servants released with the original event, so if you want to grab Saber Fran, Assassin Nito, Maid Alter, Archer Helena or, most likely, Lancer Raikou, you need to get them here. Caster Nero and Berserker Nobu will have one more rateup (and Raikou theoretically so, but we don't see KYOMAF Banners on NA, so... don't bet on it). And then, finally, it's time for this year's main course. July July starts of calmly with an Interlude Campaign that includes an NP Upgrade for Columbus and a Skill Upgrade for Passionlip, followed by the Lostbelt 2, Götterdämmerung Pre-Release Campaign and Chapter Release. These Banners include Napoleon, Sigurd and the Valkyries and a Master Level Update to a max of Level 150, which includes a raise of the Friend Limit to 90, AP Limit to 142 and Command Point Limit to 113. That aside, Götterdämmerung is also the last chance to get Brynhildr for the forseeable future. And if another Lostbelt wouldn't be enough already, 3rd Anniversary will follow suit, finally add give us Skadi, the Command Code System, a set of Costume CEs, a storage Expansion (from 350 to 450 each servant and CE storage), tons of free quartz (for EoR Completion and for the cumulative login bonus change amongst other freebies), another set of Strengthenings (including, critically, Paracelsus one) and the All the Statesmen Rerun with Paul Bunyan as Welfare. So that's a handful. With Skadi upon us, the farming meta will change majorly towards quick servants for... basically it never went away again. While Arts-looping is very much still a thing (even moreso than ever before! ), many many people still just prefer double Skadi over anything and every discussion about new servants analyzes through the lense of double Skadi first and foremost. Major advice though, while you might get a lot of free quartz during the Anniversary, this is the first and also last Skadi rateup for a long time. She only just showed up on JP again with the 18M Download Campaign this November, roughly one and a half years later. And with how important she is in the farming meta, you really want to stock up on SQ beforehand if you don't want to miss her. We all know how Gacha is a cruel mistress and if you bank on the free SQ to carry you to Skadi, you might just miss out on her and that would be bad if you want her. August With so much happening in July you might think your Quartz is safe if you managed to get whom you wanted, but I can bet you that this won't be the case. While things might not come around as thick and fast anymore as in July, we still have 2020s Summer Event coming up early in August and with that, we do not only get a regular amount of Summer servants with Summer Jeann, [Summer Ibaraki]( (Lancer)), [Summer Ushiwakamaru]( (Assassin)), Summer BB, Mysterious Heroine XX and [Summer Medb]( (Saber)), but. in addition to all that, also a third summoning campaign that includes Dantes and we all know how terribly great he is with Skadi already, right? So if you just picked up Skadi in July, here's your best chance at getting Dantes alongside her for happy 3t farming. Moreover, the summer event will come with [Summer JAlter]( (Berserker_Alter)), a welfare berserker variant of the fan-favourite servant itself. Or, as /u/Inkaflare rightly pointed out: she's freaking Jalter in a swimsuit. So if regular JAlter hasn't found a way into your Chaldea yet, here's your chance to rectify that at least a little bit! And, as if we didn't have enough Summer Servants already, August will also see the 14M DL Campaign (or the NA equivalent of it, moreso), which includes the last known rateups for Archuria and Summer Marie. You'll also get a bit of SQ if you have a lot of Strengthening Quests finished, as the rewards for those change from 1 SQ to 2 SQ and will be awarded retroactively. September It's September and that means, it's time for Nerofest. But before that, the Fate/Accel Zero Order Rerun will happen and grace is with the last chance to get [Irisviel]( (Dress_of_Heaven)). Irisviel is by no means a crucial servant to have, but still - if you mis her here, you won't be able to get her anymore, so don't be slacking off just because summer is over! The summoning Banner contains the last rateup for Iskander, as well as (amongst others) rateups for Waver and Zerkerlot, so there's your go if you feel like upping your Zerkerlots NP levels to pair him with Skadi. Also, while Zerkerlot is non-limited and can spook you any time (and is part of every 4* ticket), if you want to go ham on him, go here, since it's his last rateup. Finally, we'll see the release of [Saber Diarmuid]( (Saber)) with this rerun. And then we'll have this year's Nerofest - or rather: Gilfest. It's called Battle in New York and you better have your Apples ready for it. Alongside the usual stuff, the boxes contain Dust, Proofs, Homunculi Babies and Serpent Jewels and the Summoning Campaign includes Gilgamesh (of course) alongside Queen of Sheba. Oktober So after the gacha onslaught that was July and August and the comparatively quiet September, October sees little more than Halloween x2 and an Interlude Campaign. It's a time of respite after lottery farming in Gilfest. First, we'll have the Mecha Eli-Chan Halloween Rerun which is your chance to get either your first Mecha Eli or of picking the other one this time around. Yes, you can have both, yes, they are completely different servants and you can even field both of them at once, yes, they have the same kit and yes, they have different voicelines. Afterwards we'll see the Interlude Campaign VII with Interludes for Cu Alter and Cleopatra, amongst others, before we'll go to this year's Halloween Event featuring the vilest of all Onis as a welfare for a change, [Caster Shuten]( (Caster)). The Event's Campaign comes with Sitonai and her... Bear/hound called Shirou. November November starts off with the 15m Downloads Campaign giving us another 4* Ticket which will be even harder to chose from than last time and the second and last time Abigail gets a rateup. Also, the 15M DL Campaign sees the introduction of 5* Embers which net roughly three times as much exp as 4*s and can drop in the FP Gacha as well, rejoice! Shortly following the Celebration is the Christmas Rerun and it's limited lottery. Just as this year, it's going to be limited to 10 boxes and it's also the last known rateup for Ereshkigal, so if you fail to roll her this year, next year's your last chance (or at least until DW readds her in the future). The welfare of this rerun is, of course, Altera the San(ta), so if you're going to miss her in 2019, there's your chance again, although I would recommend getting her already. This is the event from which on we'll get RP for duplicate welfare servants we alread acquired in the past, so that's free 5 RP for you right here, which is, quite frankly, very good. If you still lack some of the Da Vinci CEs or Mystic Codes, this is your best bet! Afterwards, we'll see the prerelease and release of the third Lostbelt, S I N, including brand new servants in Xiang Yu (another servant with a huuuge sprite), a new, strong Arts Support in Lanling Wang and Quin Liangyu in the first banner, alongside the so far one and only rateup of the the Challenge Quest Monster that is Qin Shi Huang and also Yu Miaoyi, together with a new, story locked 3* servant in Red Hare. If you ever wanted a Pony as a child but your parents didn't agree with you, maybe he will be your thing? But honestly, QSH is the big story here and if you think about getting him, get him now. During S I N, we'll also see the Bond Level expansion coming to NA. Using Chaldea Visionary Flames Masters can unlock additional Bond levels up to 15 (one at a time). Each reached bond level is rewarded with 30SQ as an extra incentive to bring your favourites to quests. In addition to that, NA is going to see another Thanksgiving Banner in this timeframe. The contents of that are, as always, hard to predict. This year, we've seen several skipped banners like KYOMAF and the Fate Apocrypha Commemoration Campaign and I could see that happening again, as that generally makes a lot of sense. Commemoration Campaigns are always difficult to do in NA (because, well, they commemorate a real life event that often is 2 years in the past at this point), so why not push the servants we might have missed into a Thanksgiving Banner? December The last month of the year will give us the Christmas Event and our first Ruler Welfare in the Samba Santa Quetzalcoatl. That aside, December is a relatively calm month... but a lottery event makes up for it tenfold with all the farming that comes with it. Final words And that's that for 2020. The highlights are, most definitely, Skadi and QSH, but we'll also see three new story chapters when the Lostbelts finally hit NA, lots and lots of welfare servants and well liked servants outside of the mainstays. I hoped this helped you plan ahead with your rolls for the year and get a general idea of what's to come. If you want to know how much quartz you have until a certain date for a certain servant, you can always use this spreadsheet together with this calculator to get a good idea about how things will look for you. It's not perfect, especially since we get bonus quartz for NA at different intervals than JP (like how we get SQ for Anime Expos but not for KYOMAFs, naturally), but still... it should give you a decent enough idea how things look. I hope the gacha is good to you and you roll all that you desire, but remember, gambling is gambling and just because you spend 600 or 1000 SQ on a servant, that doesn't mean that they will show up. I should know. Yes, I'm still salty. Be smart about it and set your expectations as low as you can. If you pay with real money for your quartz, be responsible and don't chase your losses. But most of all, have fun with the game! Let's have a good start into the quick meta and an amazing 2020 all around!


Πως στον διάολο ζει ο Χαν. γαμω το στανιο μου 😠😣. Εντάξει θα είναι επικό. Siga to tromaktiko. Είναι πολύ ωραίο έργο κ αληθινή ιστορία το είδα.


Ένα Ήσυχο Μέρος 2 Free downloadable. Που κρατάει κόκκινο μπαλονι πήραν την ιδέα από το IT😂😂.


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Ice poseidon. That cursor forshadowing at 1:33:40, too bad it was actually nothing. Show this in every acting class. Man alive. this is my first time seeing Davis in anything but my god does she deserve the the accolades. this was phenomenal acting. DUDE WHAT A RUSH. If he has been frozen for over 100 years like they said, how the hell is Rose still alive 😂. Just watched the movie this needs an award told a great story! Love it. Am I the only who thinks this song is perfect. This looks promising. Kinda of suprised this movie wasn't already made before. She is a hero and great American even if she wasn't treated as such.

His mom was a marine and ended up homeless. We need to support our service members A LOT better. The trailer was scarier than any of the horror movies this year. Luce Morals. This movie was great! Loveddddd how the directors orchestrated the really claustrophobic/anxiety riddled shots👌🏾👌🏾. Pretty sure this soundtrack will be a special kind of heartbreaking. Alfre Woodard is absolutely compelling in this movie. Oscars here we go SNUBBED great actor 🎭 🤬 🏆. Most stressful movie Ive ever seen. 15 years. half her life in prison. she might be completely damaged goods forever.






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