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5,2 / 10; Alistair Banks Griffin; Directed by Alistair Banks Griffin; 907 Votes; UK; actor Brennan Brown, Jennifer Ehle. Loved the trailer. So nice to Jennifer, Reese and Steve coming together. The plot looks very interesting.

Free Stream La hora del médoc. Couldnt do that on Netflix Adam. I swear this was a real movie trailer. OMG someone get Netflix in here. Somehow this looks good. User Score Play Trailer Overview Once a known counterculture figure, June E. Leigh now lives in self-imposed exile in her South Bronx apartment during the incendiary '77 Summer of Sam. When an unseen tormentor begins exploiting June's weaknesses, her insular universe begins to unravel. Featured Crew Alistair Banks Griffin Director, Writer You need to be logged in to continue. Click here to login or here to sign up. Global s focus the search bar p open profile menu esc close an open window? open keyboard shortcut window On media pages b go back (or to parent when applicable) e go to edit page On TV season pages → (right arrow) go to next season ← (left arrow) go to previous season On TV episode pages → (right arrow) go to next episode ← (left arrow) go to previous episode On all image pages a open add image window On all edit pages t open translation selector ctrl + s submit form On discussion pages n create new discussion w toggle watching status p toggle public/private c toggle close/open a open activity r reply to discussion l go to last reply ctrl + enter submit your message → (right arrow) next page ← (left arrow) previous page.

Moral of the Story: Bears are not fireproof. Free stream la hora del miedo video. Free stream la hora del miedo en. | Tomris Laffly December 6, 2019 Playing a self-banished, agoraphobic recluse, Naomi Watts delivers a disquieting, mostly one-woman performance in writer/director Alistair Banks Griffin ’s “The Wolf Hour. ” It’s a drab vision of mental struggle that owes all of its limited draw to its lead—you can’t imagine spending those 90 or so grimy and claustrophobic minutes with anyone other than Watts. But then again, if it’s a sense of nightmarish, escalating disorientation you are after, you could instead be watching the surreal “ Mulholland Drive, ” with proven proficiency in tapping into Watts’ appealing dark side. There are times Griffin nears that raw madness (with a little “ The Shining ” mixed in for good measure), once again, entirely thanks to Watts’ dedication. But on the whole, his indecisive “The Wolf Hour” tick-tocks its way to an underwhelming finale. And when it gets there, the most shocking realization you’ll have is how forgettable an affair it all has been. Advertisement It’s a shame, because Griffin sets his neo-noir-adjacent psychological thriller in one of the most cinematically juicy eras and locales in American history. We are in the summer of 1977, cramped inside a grubby apartment in a South Bronx walkup that has seen better days. Outside, the. 44 caliber killer, Son of Sam, is looming large, the heat is sweltering and somewhere in the city, Travis Bickle is still driving his taxi while the infamous blackout of July ’77 bides its time. But we don’t see any of that however, and settle instead for a diminutive microcosm of the period within the confines of writer June Leigh’s (Watts) apartment, a roomy-ish (by New York standards) living quarter with a view, which used to belong to the author’s grandmother. Mercifully, Kaet McAnneny ’s production design does a fine enough job injecting this mostly indoors-set picture with a real sense of time and place. Amid all the piles of books, dusty nooks and crannies and a mucky kitchen, June watches this “Drop Dead”-era world go by behind her dirt-encrusted windows. Police sirens are constantly within her earshot and the Twin Towers are still erect in her eyesight. If only this once-celebrated counterculture figure could just step outside. But she had decided to lock herself in and put a stop to the troubles she’s caused after one of her successful books destroyed her family. If she never leaves, June figures, she can’t do any further harm. But what if someone is trying to hurt her instead? There are certainly enough clues, the chief of them being an unknown someone incessantly buzzing her intercom to never answer back. We never really know how long June has been living like this, though the mountainous trash bags scattered in her apartment (which you can almost smell) and Watts’ sweaty breathlessness offer clues that it’s been a while, to say the least. Every now and then, other people walk in and out of the story to release us from mind-numbing monotony, like a concerned but supportive sister (played amicably by Jennifer Ehle), an opportunistic delivery guy/hustler (the always memorable rising star Kelvin Harrison Jr. ), a creepy cop and a self-professed midnight cowboy ( Emory Cohen of “ Brooklyn ”), who helps amplify the tension when boredom starts to take over. The finest (and predictably, the most distressing) segment of “The Wolf Hour” arrives when lights get wiped out across the city. Griffin plays the well-known, violent and chaotic beats of the historical occurrence with impressive believability, aided by Khalid Mohtaseb ’s cinematography that accentuates shadows and light flickers with gritty texture. Yet Griffin’s film never really gets anywhere revelatory. Worse, it doesn’t seem to want to. Like the sheltered loner at its center, “The Wolf Hour” feels jailed amongst a string of half-realized ideas, too intimidated to step outside and tackle them head-on. Reveal Comments comments powered by.

What a friend, Johnny partially channelled Delacroix's pain to himself through his pet. Should have stuck with Edward at his cabin. Synopsis Once a known counterculture figure, June E. Leigh now lives in self-imposed exile in her South Bronx apartment during the incendiary '77 Summer of Sam. When an unseen tormentor begins exploiting June's weaknesses, her insular universe begins to unravel. Cast Crew Details Genres Director Producers Writer Editor Cinematography Production Design Composers Costumes Studios Country Language Alternative Title 더 울프 아워 Popular reviews More prayer circle: 🕯 🕯 🕯 🕯 Naomi 🕯 Watts 🕯 🕯 🕯 🕯 🕯 Just god awful. I can’t believe I watched this at Sundance. Horrible. I guess if you like watching Naomi Watts smoke cigarettes for two hours while doing absolutely nothing, then this is the movie for you. It’s fine. I dug the Hitchcock/King elements throughout. I could watch Naomi sit in a room & light up cigarettes for 90 minutes and i’ll be satisfied. There’s a reason why she’s among my top 10 favorite actresses of all-time. She can not be at her best & still handle it like nobody business. I think it takes a certain kind of person with certain kind of life experiences to fully appreciate a movie such as this. Essentially the entire film is Naomi Watts holing herself up in her apartment, smoking cigarettes and slowly losing what little bit of sanity she has left. I actually really dug it. I could almost see myself in the character. I hate when people knock on my door, I’ve watched that many true-crime documentaries that when I hear my neighbours knocking on my door I legit mute my tv and ignore them, pretending I’m not there in the hopes that they’ll go away, because god forbid if I actually answered it I would pay dearly for it with… THE WOLF HOUR is a polarizing allegory on isolation & the internal/external dangers in our lives which fuels our own paranoia. Takes place in a single location with the great Naomi Watts in every scene. Like watching a short story play out on the screen but unfortunately that means the plot is extremely thin. Sundance Film #6: Very underwhelming. Naomi Watts is clearly trying, but the film leaves her with nothing to do except: smoke to the point that you are not sure how she is still alive, have sex with a gigolo, talk to her grocery-deliver boy (who has some of the most perfunctory "inspirational" dialogue that I have heard in a long time), and lastly, really badly not wanting to go outside. Scenes attempting to depict character development prove to end up being wholly ineffective, plot points that seem that they will come up later in the film do not, and the ending feels wholly unearned and unsatisfying. Without Watts's performance and the visual flourishes in presents from time to time, it would… Recent reviews Me ha parecido espectacular la actriz, en un papel tan duro, barroco,, lo ha hecho para mi de oscar, esta actriz no el guión no sea malo ni la dirección tampoco, no hay que olvidar que es un poco monotona y el final feliz no me maravillado, no creo que la vuelva a ver. Plane watch. The airline listed this under the ‘thriller’ category. A breach of the trade descriptions act if ever there was one. Dull in the extreme, both content wise and in the look of the movie. Great lead performance. Solid sweaty one roomer. Naomi Watts, girl u need a new agent. It's "Shut In" again, because everyone ironically stayed home when that movie came out! This film's real title makes it sound like Naomi Watts is either a werewolf or in a progressive mathcore band, but she's actually not quarantining herself to spare the outside world. She plays a renowned '60s counterculture figure who has now been driven into isolation by the horrors of New York in the 1970s, including the mysterious. 44 Caliber Killer. It's not like cutting her hair, going blonde, looking middle-aged and trying to look like it's not all natural will matter much if she refuses to leave her late grandmother's apartment, but the already volatile air this summer gets even more heated when a blackout overtakes… she drinks! she smokes! she barely takes a bath! and she's mentally ill! buy yourself the new Naomi Watts giving good performances in mediocre films doll. you will regret it, but who wouldn't? This is the worst movie I have ever seen. Do not watch this movie. Hmm. This is going to be a difficult review, because on the one hand, I really want to defend this movie, but on the other… I can see that it has issues. I sat down to watch The Wolf Hour with some pretty heavy expectations and none of them were fulfilled, but then again, had I had no expectations, I would definitely have loved this movie more. It looks amazing and I love the fact that it basically takes place in one location. It also has great acting. Naomi Watts is solid, of course, but I really loved the performances of all the extras who were allowed to enter the apartment. Ok, time to spoil the story and then we… Popular Lists Dark Mode One of this year’s prevalent poster themes: black or dark backgrounds, with objects or characters providing the main light source. El videoclub del Tío Calu Todas las películas recomendadas en el podcast Hoy Trasnoche de Fiorella Sargenti y Santiago Calori, en el segmento del Videoclub….

Free stream la hora del miedo online. Bandes-annonces Casting Critiques spectateurs Critiques presse Photos VOD Blu-Ray, DVD noter: 0. 5 1 1. 5 2 2. 5 3 3. 5 4 4. 5 5 Envie de voir Rédiger ma critique Synopsis et détails Juillet 1977. New York. June Leigh, ancienne romancière à succès en panne d'inspiration, est retranchée dans son appartement du Bronx. Alors que de violentes émeutes et pillages plongent la ville dans le chaos, June est harcelée par un mystérieux individu... Distributeur Bac Films Récompenses 6 nominations Voir les infos techniques Acteurs et actrices Casting complet et équipe technique Dernières news Si vous aimez ce film, vous pourriez aimer... Voir plus de films similaires Pour découvrir d'autres films: Les meilleurs films de l'année 2019, Les meilleurs films Thriller, Meilleurs films Thriller en 2019. Commentaires.

A slow and painful death that no one deseves Yes. There are enough people who deserve that. June 23, 2019 4:16PM PT Naomi Watts delivers a nuanced, nervy turn as a reclusive shut-in stewing in paranoia, writer's block and the heat of the 1977 Bronx summer. Run a finger along any of the surfaces in Alistair Banks Griffin ’s sophomore feature “ The Wolf Hour, ” and it will come up slicked with sweat, grime and the residual soot of the city. It is the summer of 1977, and it’s hotter than hell. June Leigh ( Naomi Watts) perches on the window sill of the squalid Bronx apartment she dares not leave, facing right into a lethargic fan that scarcely even stirs the wavy brown hair off her sticky shoulders. Outside, little blisters of violence and intimidation erupt on the tinder-box streets, and somewhere nearby, Son of Sam is murdering women with wavy brown hair. “Hello from the gutters of New York City, ” the serial killer writes in letters to the papers, and though Griffin’s heavy-on-atmosphere, light-on-plot film takes place almost exclusively five floors up from ground level, those gutters feel palpably, oppressively close. “ The Wolf Hour ” is a peculiar film, compelling in its way due to Watts’ tensile, committed performance as a once-celebrated feminist writer now hemmed in to her dead grandmother’s apartment by paranoia and the demons unleashed by her earlier success. And though there are other players, if there is a second lead in this near-single-location, near-one-woman-show, it is probably Kaet McAnneny’s production design, which oozes menace and neglect so viscerally it might as well be ectoplasm. Khalid Mohtaseb’s supple photography, too, is a small wonder, never cheating the small space, but finding enough maneuverability within it so that a sense of claustrophobia is evoked without the imagery ever feeling constrained. But for all these strengths, and the judicious application of Saunder Jurriaans and Danny Bensi’s nervy score, the film lacks texture where it needs it most — in June’s unraveling psychology. She has been holed up here for a while — long enough to have bags of trash collecting flies beside the dusty draft of her second book in the living room, a system in place for paying the rent without opening her door and a regular grocery delivery set up with the bodega nearby. Her isolation is almost complete, except for a sinister buzzing intercom that crackles emptily when she answers it, and for a sudden, unwanted visit from her old friend Margot (Jennifer Ehle), who brings literal and figurative fresh air into her life for a moment, before June alienates her again. Aside from that, she forms a testy bond with delivery boy Freddie (Kelvin Harrison Jr. ) and fights off the rapey advances of a cop (Jeremy Bobb). But mostly, she chain-smokes, sweats into her drab tank top and fails to write. For all the hothouse menace Griffin summons, there is something coldly considered about “The Wolf Hour. ” As much as we feel June’s anxiety, and the acrid, stultifying weight of the humid air that encases her like wet cement, we never feel for her. Case in point: she replays a videotape of a much more put-together June being condescended to by a male interviewer and matching him jab for jab, until he unleashes the revelation that undoes her entirely and leads to her current, straggly-haired, sweat-stained incarnation. On the one hand, it’s a fairly effective way of cluing us in on backstory while maintaining the rigor of the single-location premise. But her past vicissitudes seem so like they happened to another person (one we never properly meet) that it’s difficult to invest in them. (It doesn’t help that the bombshell TV interview irresistibly recalls the “Simpsons” episode where Bart taunts Lisa with the video where “you can actually pinpoint the second when [Ralph’s] heart rips in half”). This cautiousness also extends to the film’s themes. Whereas there is a racial and a class element to June’s paranoia, as an unstable, vulnerable white woman from a wealthy background living alone and friendless in a predominantly black, poor, socially volatile neighborhood, the film shies away from a real exploration of that provocative situation. And even her creative struggle is undermined: “The Wolf Hour” takes the notion of literary blockage excessively seriously — as it does everything: The portrayal of the classic ’70s feminist as a being almost defined by her stringent humorlessness is something of a cliché by now. But it also implies that maybe all June really needed to get those juices flowing again was some halfway decent sex, which comes courtesy of an unusually sensitive gigolo, beautifully played by a soft-bodied, gentle-eyed Emory Cohen. “The Wolf Hour” touches on explosive ideas of racism, sexism, guilt, delusion and urban isolation, so it’s frustrating that, like the gun June obtains at one point, they are handled only warily and then shoved under the floorboards. The general consensus is that the other major 1977 heatwave-set New York City film, Spike Lee’s sprawling “Summer of Sam, ” bit off more than it could chew. But “The Wolf Hour” tries to make a five-course meal of the merest morsel, leaving Watts, on eminently watchable form, to grind her teeth on a role far less meaty than it ought to have been. In today’s film news roundup, “The Invisible Man” hits a milestone; “Kajillionaire, ” “Come Play” and “Green Rush” get release dates; and Jack Eve’s romantic drama “Open” wraps shooting. BOX OFFICE Universal Pictures-Blumhouse Productions’ “The Invisible Man” has crossed $100 million at the worldwide box office in less than two weeks. The film, directed by Leigh [... ] Filmhouse, the home of the Edinburgh International Film Festival (EIFF) in Scotland, has unveiled plans for a major new six-screen cinema and venue in the heart of the city. The planned building is expected to cost £50 million ($65 million) and has been designed by Edinburgh-based Richard Murphy Architects. If planning permission is granted by [... ] Ben Affleck was on Harvey Weinstein’s “red flag list, ” according to recently unsealed court documents. Prior to the publication of bombshell reports, which ignited the #MeToo movement and led to the former movie mogul’s downfall, Weinstein kept a list of names of people he was concerned could be talking to journalists in 2017 about his [... ] Jason Blum’s Blumhouse Productions, which generated a horror hit with “The Invisible Man, ” has launched development of an untitled Dracula movie. Karyn Kusama, whose credits include “Destroyer, ” “The Invitation” and “Jennifer’s Body, ” is attached to direct the Dracula project. Matt Manfredi and Phil Hay, who teamed with Kusama on “Destroyer” and “The Invitation, ” are writing [... ] Newcomer Ever Anderson will play Wendy while Alexander Molony will play Peter Pan in Disney’s live-action Peter Pan pic “Peter Pan & Wendy, ” sources tell Variety. “Pete’s Dragon” director David Lowery is on board to direct. Lowery co-wrote the script with Toby Halbrooks. Jim Whitaker is producing. Disney’s 1953 animated classic is still the most [... ] Roy Dana (R. D. ) Call, an actor who appeared in such films as “Last Man Standing, ” “Born on the Fourth of July” and several other films alongside Sean Penn, died on Feb. 27 of back surgery complications, his family announced. He was 70. The Utah native was born Feb. 16, 1950 and came to Los Angeles [... ] Filmmakers Jason Sussberg and David Alvarado were holed up in a studio Friday at Skywalker Ranch, putting the finishing touches on the sound mix for their film “We Are As Gods, ” a documentary about the environmentalist Stewart Brand. The two men were scrambling to get everything ready for the film’s March 15 premiere at South [... ].

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